Jayce CV

Jayce Salloum -CV

Exhibitions

2018: En mal d’archive, curated by Khaled Barakeh, The Station, Beirut, Lebanon
Photography in Canada: 1960–2000, curated by Andrea Kunard, organized by the Canadian Photography Institute of the National Gallery of Canada, The Rooms Provincial Art Gallery, St. John’s, Newfoundland
2017: Photography in Canada: 1960–2000, curated by Andrea Kunard, National Gallery of Canada, Ottawa
location/dis-location(s): beyond the pale, 15th Momenta|Biennale De L’image, curated by Ami Barak, McCord Museum, Montréal (solo installation)
Far Away from Where?, curated by Malgorzata Bakalarz, Arnold & Sheila Aronson Galleries, Parsons New School, New York
Toronto: Tributes + Tributaries, curated by Wanda Nanibush, Art Gallery of Ontario, Toronto (solo installation)
This Now, More Than Ever, curated by Melanie O’Brian & Stephen Collis, SFU Gallery, Simon Fraser University, Vancouver
Again and Again, MKG127 Gallery, Toronto
esquina caliente, curated by Elisa Ferrari & Stacey Ho, VIVO Media Arts Centre, Vancouver (solo)
2016: But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa, Solomon R. Guggenheim Museum, New York rencontres improbables (the secret encounters of Kusama Khalthoum), Galerie Oqbo - raum für bild wort ton, Berlinthe meandering line, Schneiderei Gallery, Vienna
do it Arab, curated by Hans Ulrich Obrist & Hor Al Qasimi, Bait Al Shamsi, Sharjah Art Foundation, UAE; Darat Al Funun, Amman, Jordan
A history of photography, MKG127 Gallery, Toronto (solo)
The Thirteen Most Beautiful.., Cydonia Gallery, Dallas, Texas
Cultural Perspectives, Seattle Municipal Tower Gallery, Seattle
Coastal, 30 large scale photographs in transit shelters, City of Vancouver Public Art Commission 2015: The 1990’s – Jayce Salloum: کان ها پا کان There Was and There Was Not (redux/fragments), AUB Art Gallery, American University of Beirut, Lebanon (solo) One Immaterial Collection: Figures upon Landscape, curated by Jim Quilty, Beirut Art Centre, Lebanon Art on a Greenline, curated by Johnny Alam, Carleton University Art Gallery, Ottawa
2014: The Militant Image: Picturing What Is Already Going On, Or The Poetics Of The Militant Image, curated by Urban Subjects (Sabine Bitter, Jeff Derksen, Helmut Weber) & Camera Austria, Graz, Austria
The Governor General’s Awards in Visual and Media Arts, National Gallery of Canada, Ottawa
How would I know: video letters from Lebanon and beyond, curated by Pieter Van Bogaert, WIELS, Centrum voor Hedendaagse Kunst|Centre d'Art Contemporain, Brusseles
Where are the Arabs?, curated by Hoor Al Qassimi, MoMA PS1, Long Island City, New York
Labor-Migrant-Gulf, curated by Doris Bittar, Southwestern College Art Gallery, Chula Vista, California & Uri-Eichen Gallery, Chicago
This for That, curated by Justin Muir, Malaspina Printmakers, Vancouver
Clash: Confict and Its Consequences, curated by Andrea Kunard, The Reach Art Gallery, Abbotsford 2013: location/dis-location(s): reprise, CSA Space, Vancouver (solo)
Clash: Confict and Its Consequences, curated by Andrea Kunard, National Gallery of Canada, Ottawa
The Biography of Images, curators Sabine Bittar & Ruth Horak, Audain Gallery, Simon Fraser University, Vancouver’93, Centro Galego de Arte Contemporánea, curator Miguel Pérez von Hafe, Santiago de Compostela, Spain
Nous reviendrons, vous reviendrez: autour de cinq artistes de Vancouver, curated by Jack Jeffrey, Salons d’Honneur de la Préfecture, Marseille, France
Where are the Arabs?, curated by Hoor Al Qassimi, Abu Dhabi Art, Abu Dhabi, UAElocation/dis-location(s): contingent promises, Grunt Gallery, Vancouver (solo) 2012: In Spite of it All, Sharjah Art Foundation, curated by Hoor Al Qasimi, Sharjah, UAElocation/dis-location(s): contingent promises, MKG127, Toronto (solo)
the heart that has no pain/love/generosity is not a heart, The Reach Art Gallery, Abbotsford (collaboration) 2011: Récits alternatifs (du Liban à l’Afghanistan, par la Vallée de l’Okanagan...), Centre Culturel Canadien, Paris (solo)Mapping the Everyday: Neighbourhood Claims for the Future, (desmedia collective), curated by Sabine Bitter, Audain Gallery, Simon Fraser University, Vancouver
the heart that has no pain/love/generosity is not a heart, Plug In Institue of Contemporary Art, Winnipeg (collaboration)
1 the heart that has no pain/love/generosity is not a heart, Kenderdine Art Gallery, Saskatoon (collaboration)Jayce Salloum: history of the present, Mendel Art Gallery, Saskatoon, & Art Gallery of Windsor, Ontario (touring survey exhibition)
New York Chronicles, curated by Maymanah Farhat & Osama Abusitta, The Gallery, Virginia Commonwealth University, Qatar, UAE
2010: the heart that has no pain/love/generosity is not a heart, Royal Ontario Museum, Toronto (collaboration) all is not lost but some things may have been misplaced along the way (or) of endings and beginnings and some points in-between, and other works from the ongoing videotape, untitled, 1999-ongoing, Artspace, Sydney, Australia (solo) Politics of Art, curated by Anna Kafetsi, National Museum Of Contemporary Art, Athens, Greece
Triumphant Carrot: The Persistence of Still Life, curated by Jenifer Papararo, Contemporary Art Gallery, VancouverExtra-Territoriality, Trinity Square Video, Toronto
Fact or Truth, project by Lisl Ponger, Fotogalerie Wien, Vienna, Austria
the heart that has no pain/love/generosity is not a heart, UTS Gallery, University Of Tech, Sydney, Australia (collaboration)
Jayce Salloum: history of the present, Confederation Centre Arts Gallery, Charlottetown, P.E.I. (touring survey exhibition)
2009: Jayce Salloum: history of the present, Kamloops Art Gallery, British Columbia (touring survey exhibition) rockspaperscissors, MKG127, Toronto (solo project curated group show)
What Moves Us, curated by Liz Park, Western Front, Vancouver
Out of place Artists from Lebanon in the Diaspora, curator Salah Saouli, Kunstverein Tiergarten/Galerie Nord, BerlinSignals in the Dark: Art in the Shadow of War, curated by Séamus Kealy, Model Arts & Niland Gallery, Sligo, IrelandVidéos Europa, curated by Pascale Pronnier, Lille 3000, Le Fresnoy, Studio national des arts contemporains, Tourcoing, France
2008: L’Image Matière: Histoires visuelles de l’injustice et de la falsifcation, curated by Nicole Brenez, Musée du Louvre, Paris
Figures du corps, une leçon d'anatomie à l'Ecole des beaux arts: Biopolitique - Hard & Soft, curated by Nicole Brenez, Ecole des beaux arts, (ENSBA), Paris
everything and nothing and other works from the ongoing project 'untitled', 1999-2008, Govett-Brewster Art Gallery, New Plymouth, New Zealand (solo)
Memory Inversion, curated by Rita Gonzalez, J. Paul Getty Museum, Los Angeles
Orientalism & Ephemera, curated by Jamelie Hassan, Centre A, Vancouver
Emergency Biennale in Chechnya, curated by Evelyne Jouanno, Playspace Gallery, California College of the Art, San Francisco; and Galeria Arsenał w Białymstoku, Poland
Signals in the Dark: Art in the Shadow of War, curated by Séamus Kealy, Blackwood Gallery, University Of Toronto, Mississauga; and Galerie Leonard & Bina Ellen Art Gallery, Concordia University, Montréal
Resistance(s), Third Guangzhou Triennial: Farewell to Post Colonialism, curated by Khaled D. Ramadan, Guangdong Museum of Art, China
in/scene, curated by Samar Martha, Palestinian Art Court - al Hoash Gallery, Jerusalemback stop, oqbo gallery, Berlin
a very narrow bridge, Alternator Gallery for Contemporary Art, Kelowna (collaboration) 2007: Analogue: The Days Before Digital 1968-1988, Norwich School of Art Gallery, Liverpool, England; FACT - Foundation of Art and Creative Technology, Liverpool, England; MOCA - Museum of Contemporary Canadian Art, Toronto Build me up, tear me down: transitional zones and temporary structures, curated by Jame Patten, Windsor Art GalleryVARIA, Biennale De L'Image En Mouvement, Centre pour l’image contemporaine, Geneva, Switzerland
Emergency Biennale in Chechnya, 10th Istanbul Biennial, curated by Evelyne Jouanno, Turkey
21, A Space, Toronto; Paved Arts, Saskatoon; Dunlop Art Gallery, Regina; curated by Elwood Jimmylocation/dis-location(s), MKG127, Toronto (solo) Happy Birthday & Friendly Greeting, MKG127, Toronto
2006: 15th Biennale Of Sydney, Museum of Contemporary Art, Sydney everything and nothing and other works from the ongoing project ‘untitled’, 1999-2005, Museum Villa Stuck, Munich, Germany (solo) Shared History/Decolonizing the Image, Arti & Amicitiae, curated by Delphine Bedel & Sophie Berrebi, ASCA/Universiteit van Amsterdam/agentur, Amsterdam Territory, Artspeak & Presentation House, curated by Melanie O'Brian & Helga Pakasaar, Vancouver
Not Sheep: New Urban Enclosures and Commons, curated by Urban Subjects (Jeff Derksen, Sabine Bitter & Helmut Webber), Artspeak, Vancouver
Anthology of Art, Kunst und Ausstellungshalle der Bundesrepublik Deutschland, Bonn 2 One is Never Enough, Or Gallery, curated by Instant Coffee, VancouverTerres en Vues/Land InSights, Films et Vidéos Autochtones, MontréalResistance(s), Instants Video, Manosque, France
The Studio Visit, Exit Art, New York Coding: Decoding, Nikolaj Contemporary Art Center, Copenhagen, Denmark
Against the Grain, Serralves Museum Of Contemporary Art, Porto, Portugal, curated by Nicole BrenezEmergency Biennale in Chechnya, Centre A, curated by Evelyne Jouanno, Vancouver (& subsequent tour)Resistances(s), Gallery Niu, Barcelona; Cinemathek Oslo; Copenhagen Contemporary Art Center & Museet for Samtidskunst, Roskilde, Denmark; Instants Video, Marseille; Centre Culturel Francais, Belgrade; Alternative Film/Video festival, Belgrade
2005: everything and nothing and other works from the ongoing project ‘untitled’, 7th Sharjah Biennial, U.A.E. Kan ya ma kan (There was and there was not), Vancouver Art Gallery, B.C. (solo)
(un)classifed materials: a public archives; present histories/history of the present, Vancouver Art Gallery (commission)Time Suspended, Kunsthal, Bergen, Norway
The Disasters of War: From Goya to Golub, Erza & Cecile Zilkha Gallery, Wesleyan Univ., CT, curated by Nina Felshin
Picturing the Downtown Eastside, 112 W. Hastings, Vancouver (desmedia collective)Anthology of Art, Akademie der Künste, Berlin & Zentrum fur Medienkunst, KarlsruheNeighbourhood, Centre A, curated by Alice Ming Wai Jim, Vancouver 2004: everything and nothing and other works from the ongoing project ‘untitled’, 1999-2004, Western Front, Vancouver (solo) Terrorvision, Exit Art, New York
Time Suspended, Witte de With, Rotterdam
Home Fronts, Singapore Art Museum, Singapore
everything and nothing, 31st NorthWest Film & Video Festival, Portland (solo)
Anthology of Art, Martin-Gropius-Bau, Berlin
Artists Against the Occupation, Hi-Vision Centre, Utsunomiya University, Tochigi, Japan
Stop the Wall, 5th Arts Against the Occupation, Chikyu-Do Gallery, Tokyo
Somewhere Elsewhere, Worth Ryder Gallery, UC Berkeley Campus, Berkeley
9,970,670 km2, Artcinema, Gent Belgium/Images Festival, Toronto, curated by Chris Kennedy 2003: Tangible Cartographies, 8th Havana Biennial, Cuba (installation)
everything and nothing and other works from the ongoing project ‘untitled’, 1999-2003, 8th Mois De La Photo, Dazibao Galerie, Montréal (installation)
Andrea Rosen Gallery, New York
Centre Georges Pompidou, Musee Nationale du Art Moderne, Paris, France
Synopsis III: Testimonies Between Fiction and Reality, National Museum Of Contemporary Art, Athens, Greece
A thinly veiled threat (undermining the overview), Smart Project Space, AmsterdamVersion>03/DigitalArtsConvergence, Museum of Contemporary Art, Chicago
24/7: Wilno - Nueva York (Visa Para), Vilnius Contemporary Art Centre, Lithuania
everything and nothing and other works from the ongoing project ‘untitled’, 1999-2003, Galerie 101, Ottawa (solo)Illegal Art, Public Resource Center For Activism & Arts, Washington DC; In These Times, Chicago; SFMOMA Artists Gallery, San Francisco
I Remember 1948, The Performance Space, Sydney, AustraliaArabs Anonyymous, La Voz Alta, San Diego 2002: everything and nothing and other works from the ongoing project ‘untitled’, 1999-2002, YYZ, Toronto (solo)
sliding life through narrow spaces forced into (cracks) where rivers would not (yet) fow, Landesmuseum Linz, AustriaZugewinngemeinschaft, 5th Werkleitz Biennale, Tornitz, Germany
Anthology-of-Art.Net, Braunschweig School of Art, Germany
No2WW3, Name.Space Lab, New York
2nd Arts Against the Occupation, Forest City Gallery, London, Ont. & United Nations Headquarters, NY
Sabra & Shatilla Anniversary, Video In, Vancouver
CinemaTexas, Idea Gallery, Austin, Texas
Illegal Art, 313 Gallery, New York
Piece Process, ARC Gallery, Chicago
Instants Video, Maison De La Culture, Manosque, France (installation) 2001: everything and nothing (from the ongoing project, ‘untitled’), 1999-2001, Canadian Museum of Civilization, Hull, Québec; Museum of Contemporary Art, Belgrade; and Santa Monica Museum of Art, California (installation)
3 2000: 1999: 1998: 1997: 1996: 1995: A Better Place, MacKenzie Art Gallery, curated by Timothy Long, Regina, Saskatchewan (solo & desmedia collective collaboration) Arti et Amicitiae, World Wide Video Festival, Amsterdam (solo)
Agit Prop/Mayday Austria, Kunsthalle Exnergasse, Vienna, curated by R. Basha, A. Vidokle , and C. GerozissisKan ya ma kan (There was and there was not), Kunsthalle Exnergasse, Vienna, Austria (installation)
the desmedia workshops, Gallery Gachet, Vancouver (desmedia collective)
Just the Facts?: Contemporary Documentary Approaches, Canadian Museum of Contemporary Photography & Le Mois de la Photo à Montréal, curated by Martha Hanna, Andrea Kunard & Pierre Desssureault, Ottawa, Ontario.untitled: Home Made Chocolate, Argos, Brussels, Belgium (solo)
untitled: 22 oz. Thunderbolt, Contemporary Art Gallery, Vancouver (solo)
Kan ya ma kan (There was and there was not), National Gallery of Canada, Ottawa (solo) untitled: Neutral/Brakes/Steering, Agnes Etherington Art Gallery, Kingston (solo)
Under Construction, Gen Art, curated by Debra Singer and Anastasia Auckeman, New York
May 17, 1998, Edward G. Cornish Estate, curated by Anton Vidokle, Regine Basha & Christoph Gerozissis (May Day Productions), Cold Spring, New York
Verbindingen/Jonctions - Post/Moderne Gevoeligheden (Post/Modern Sensibilities), Filmmuseum / Musée du Cinéma, Bruxelles, curated by Pieter Van Bogaert
Documenta X, Kassel, Germany; Centre Pompidou, Paris, France; Deitch Projects, New York; Beursschouwburg, Brussel, Belgium; Beware! In playing the phantom you become one (Á Jouer Au Fantome, On Le Devient), (within installation by J. Grimonprez & H. Asselberghs)
Discord: Sabotage of Realities (Un-Frieden: Sabotage Von Wirklichkeiten), Kunstverein & Kunsthaus, curated by Inke Arns & Ute Vorkoeper, Hamburg, Germany
Kan ya ma kan (There was and there was not), American Fine Arts, New York (solo)
Videoscape, The New Museum, New York
East of Here..(Re)imagining the ‘Orient’, YYZ Artists’ Outlet, Toronto, Ontario
Update ‘96: ‘ Houna wa Hounak’ (Here and Elsewhere), Turbine Halls, Copenhagen, Denmark
Kan ya ma kan (There was and there was not), Optica Centre d’Art Contemporain, Montréal (solo)
Kan ya ma kan (There was and there was not), Künstlerhaus Bethanien House, Berlin (solo)
Vagamundo: Refexiones Sobre el Exilio, Museo Nacional Centro De Arte Reina Sofa, Spain
The Spectacular State: Fascism & the Modern Imagination, @ Gallery, Vancouver
Beware! In playing the phantom you become one (Á Jouer Au Fantome, On Le Devient), Museum van Hedendaagse Kunst, Gent, Belgium; and 6e Semaine Int’l de Vidéo, Hotel du Rhone, Geneva, Switzerland
Foreign Services (Aussendienst), Shedhalle, Rote Fabrik, Zurich, Switzerland (installation)
Films Trouvés (Found Footage): récupération, transformation, appropriation, (curated by Yann Beauvais), Galerie Nationale du Jeu de Paume, Paris
Kan ya ma kan (There was and there was not), New Langton Arts, San Francisco (solo)
Botschaft e.V./Friseur, Berlin (installation & solo)
(sites +) demarcations:, Hartnett Gallery, U. of Rochester, New York (solo)
Kan ya ma kan (There was and there was not), Western Front, Vancouver (solo)
(sites +) demarcations:, Fotobase Gallery, Vancouver (solo)
Sei da bei/September News (Private Domain/Public Hell), Weltbekannt/Cheap Art, Hamburg, Germany
(sites +) demarcations: Photo Passage, Harbourfront, Toronto (solo)
Beirut-Berlin, Botschaft e.V./Friseur, Berlin (solo)
Demontage: Film, Video/Appropriation, Recycling: curated by Corrine Diserens (tour to: Valencia Institute of Modern Art, Valencia, Spain; World Wide Video Centre, Den Haag, The Netherlands; Museo Nacional Centro de Arte Reina Sofa, Madrid; Arteleku, San Sebastian, Spain; Centro Gallego de Artes de la Imagen, La Coruña, Spain
Trans: Time & Tide, Tyne International Exhibition, curated by Corrine Diserens & Raul Ruiz Newcastle Upon Tyne, England
Banff Souvenir, curated by Martha Hanna, Canadian Museum of Contemporary Photography (National Gallery of Canada), Ottawa
The Call: Personal Insights on the Middle East & N. Africa, Long Beach Museum of Art, CaliforniaBeyond Glory: Re-Presenting Terrorism, Maryland Institute College of Art, Baltimore
Ten on Eight, 8th Avenue, New York (Cheap Art collective)
Dénonciation, Centre d’Art Santa Monica, Barcelona, Spain
Fishing for Documents, Botschaft e.V, Friseur, Berlin
Instituto Francese di Firenze, Florence, Italy
Mandeville Gallery, University of California, San Diego
Shin-Shin Galerie - Ausstellungsraum, Berlin 1994: 1993: 1992: 1991: 4 1990: 1989: 1988: 1987: 1986: 1985: 1984: 1983: P.S.1, The Institute for Contemporary Art, New York
Artists and Writers Out Loud, Art in General, New York
Anti-Gallery, New York
Video, Shin-Shin Galerie - Ausstellungsraum, Berlin
Counter Media, Key Gallery, Richmond, Virginia
Hands Off! Beneft, New School for Social Research, New York (Cheap Art collective) Rush Rhees Gallery, University of Rochester, New York (solo) stupid pleasures, Gallerie 101 Gallery, Ottawa (solo) Kulturzentrum Rote Fabrik, Zurich, Switzerland
Open Space, Victoria, B.C., Canada
Censorship and Subjectivity, ABC No Rio, New York
Cheap Art /ABC No Rio, Kunstlerhaus e.v., Hamburg, GermanyMuckrakers, Max Fish, New York (Cheap Art collective) Tent City Beneft, Max Fish, New York (Cheap Art collective)
Public Exposures: One Decade of Contemporary Canadian Photography, The Photography Gallery, Toronto Gallery 44, Centre for Canadian Photography, Toronto
Open Channels Five Year Survey, Long Beach Museum of Art, California
American Fine Arts, Co., New York
Document and Dream, Artists' Space, New York
Uprising: Videotapes on the Palestinian Resistance, Artists' Space, New York
The Body & Other Tales of Joy & Woe, Critical Art Ensemble of Tallassee, Florida
The Appropriate Image-Perceptions of self, sexuality & society, N.A.M.E. Gallery, Chicago
Open Channels, Long Beach Museum of Art, California
Gallery 44, Toronto (solo)
Acts of Consumption, Dazibao Galerie, Montréal (solo)
Real Democracy, White Columns/Four Walls, New York
Video in the Academy, The Kitchen, New York
Gallery TPW, Toronto Photographers Workshop, Toronto
C.A.G.E., (Cincinnati Artists' Group Effort), Ohio
Acts of Consumption, Los Angeles Center for Photographic Studies (installation)
in the absence of heroes, Natalie Bush Gallery, San Diego (solo)
Acts of Consumption, Northwest Artists Workshop, Portland (solo)
remembering-you (mute pictures), University of California, San Diego (solo)
Infermental #6, Köln, Germany; Western Front, Vancouver; Walter Phillips Gallery, Banff; A Space, Toronto; Berlin Film Festival; LACE, Los Angeles
The Ascent of Man..., Boehm Gallery, Palomar College, San Marcos, California
Sushi, Inc., San Diego (solo)
precarious acquiescence, Galerie Sequence, Jonquiere, Québec (solo)
Canadian Video Mosaic, curated by Michael Goldberg: Miyagi Museum of Contemporary Art, Hara Museum of Contemporary Art, Shinigawa; Fukui Prefectural Museum of Art; Hokkaido Museum of Contemporary Art, Sapporo, Japan
man’oeuvre, Cameron Public House, Toronto (solo)
Contemporary Art Gallery, Vancouver (solo)
Plug-In Gallery, Winnipeg (solo)
Production/Reproduction, Norman MacKenzie Art Gallery, Regina, Saskatchewan
The Anti-Nuke Show: A Space, Toronto; Plug-In, Winnipeg; Western Front, Vancouver; Powerhouse Gallery, Montréal, Québec; Language Plus, Alma, Québec; Presentation House; Centre for Art Tapes, Halifax Hamilton Art Gallery, Ontario (solo)
Justina M. Barnicke Gallery, Toronto (solo)
in the absence of heroes: warfare/a case for context, Music Gallery, Toronto (solo) Gallerie Ranpelyset, Silkeborg, Denmark
Artcite, Windsor, Ontario
CEPA Gallery, Buffalo, New York (solo)
recent maps and occurrent stages, Southern Alberta Art Gallery, Lethbridge, Alberta (solo)precarious acquiescence, Articule Gallery, Montréal, Québec (solo) One Room, One Day, TPW Gallery/Harbourfront, Toronto K.A.A.I., Kingston, Ontario (solo)
5 1982: 1981: 1980: 1979: Latitude 53, Edmonton (solo)
Chromaliving, Chromazone, Toronto
Alternate Photography, curated by Richard Rhodes; YYZ Artists’ Outlet, Toronto; Art Gallery of Windsor; Embassy Cultural House, London, Ontario
Production/Reproduction, A Space, Toronto
Tableaux, CEPA Gallery, Buffalo, New York
Gallerie 25, Haderslev & Hvidovre Kunstbibliotek, Denmark
Gallery 76, Toronto (solo)
Plug-In Gallery, Winnipeg, (solo)
Optica Gallery, Montreal, Québec (solo)
The Photographers Gallery, Saskatoon (solo)
thru the stillness that fies behind me.., YYZ Artists’ Outlet, Toronto (solo)
The Photography Show, Chromazone, Toronto
Monumenta, YYZ Artists Outlet, Toronto
Manipulated Images, Catskill Centre for Photography, Woodstock, New York
recent maps and occurrent stages, The Photography Gallery, Toronto Photographers Workshop, Toronto (solo) Jane Corkin Gallery, Toronto, Ontario
The Urban Landscape, McIntosh Gallery, University of Western Ontario, London, Ontario
Intersection Gallery, San Francisco, California
Walter Phillips Gallery, Banff, Alberta
Peter Whyte Gallery, Banff, Alberta Solo Screenings 2017: Up to the South & This is not Beirut, Djavad Mowafaghiam Cinema, Simon Fraser University, Vancouver 2015: Introduction to the end of an argument.., Kino der Kunst, Munich, Germany
2013: Muestra de Cine Palestino, Cine Doré (Filmoteca Española), Madrid, Spain
2011: Arabisches Filmfestival Berlin, Babylon Cinema, Berlin Introduction to an End of Argument, Brecht Forum, New York Once You’ve Got the Gun, Broadway Theatre, Mendel Art Gallery & Kenderdine Art Gallery, Saskatoon
2010: Witness to Love: the untitled videotapes, School of Art and Art History, University of Oklahoma, Norman, Oklahoma Beirut: Postcards from the Edge, Visual Liberation Film Festival, Brecht Forum, New Yorkuntitled: the video installation as an active archive, Argos, Brussels
21st Ljubljana International Film Festival, Ljubljana, Slovenia 2008: all is not lost but some things may have been misplaced along the way, IMAA Conference, Mary Irwin Theatre, Kelowna 2007: beauty and the east: Institute For Contemporary Art & Thought (ITYS), BIOS, Athens, Greece terra incognita: recent works, Pacifc Cinematheque, Vancouver
Up to the South, Academie voor Beeldende Kunsten, Maastricht
terra incognita: recent works, Festival 50o/104o, Saskatchewan Filmpool Co-Operative, Regina, Saskatchewan Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument), National Gallery of Canada, Ottawa 2006: untitled, Winnipeg Cinematheque, Manitoba
Society for Cinema & Media Studies Annual Conference, Vancouver
terra incognita, Carnegie Community Centre, Vancouver
untitled, Open Space, Victoria
To Capture Beirut (essays from earlier), UWM/Woodland Pattern, Milwaukee, Wisconsin 2005: untitled, Pacifc Cinematheque, Vancouver
23rd International Uruguaya Film Festival, Montevideo
Cinema & History: Piling Wreckage Upon Wreckage, Flaherty International Film Seminars, Claremont, California Islamic Visual Culture Series, New York University, Center for Media, Culture and History, New York Memory/Colonialism/Censorship/Resistance, Simon Fraser University, Vancouver 2004: everything & nothing and other works from the video project ‘untitled’, Exit Art, New York
Middle-East trilogy & works from ‘untitled’, California Institute of the Arts, Bijou Theatre, Valencia
Optic Nerve Festival, Peterborough, Ontario
Hommage to Edward Said, Cinematheque Tel Aviv, Haifa & Jerusalem Cinematheque
History of the Present: Untitling Memory, University of British, Dept of Geography, Historical Consciousness, & Canadian Studies Cntr, Vancouver
2003: Middle-East trilogy & other works, Caixa Forum for Contemporary Art, Barcelona Middle-East trilogy & works from ‘untitled’, Cinémathèque Française, Paris
everything & nothing and other works from the video project ‘untitled’, LUX Salon, London, England So Near So Far, Cinema Nova, Brussels, Belgium
Arabische Filmtage, Univeristy of Art and Design, Xenix Theatre, Zurich
Operation How, Now, Wow, 16 Beaver, New York
everything & nothing, Bluestockings Books, New York
untitled part 1: everything & nothing, Free Speech T.V., Boulder, Colorado 2002: Terres promise/Territoires occupés, Centre for the Contemporary Image, Geneva
works from the video project, ‘untitled’, UCLA Television & Film Archives, LA Freewaves, Los Angeles
6
2001: 2000: 1999: 1998: 1997: 1996: 1995: works from the video project, ‘untitled, Pacifc Film Archives, U.C. Berkeley Art Museum, California Pacifc Cinematheque, Vancouver
InstantsVideo, Maison De La Culture, Manosque, France
Parallax View, CinemaTexas, Austin untitled parts 1, 2, & 3b, Cinematheque Ontario, Toronto, Ontario
various works, Kasaba Theater, Ramallah, West Bank, Occupied Territories Uit + Thuis Videomagazjin, Vlaardingen, Netherlands
Institute for Social Ecology, Brisbane, Australia
Cinema Nova, Brussels, Belgium
everything and nothing & (as if) beauty never ends, Bootlab, Berlin, Germany B_Books, Berlin, Germany
Free Speech TV, Colorado
DUTV, Philadelphia
Bethlehem Television, West Bank, Occupied Territories
Gallery 825/LAAA, Los Angles
Ayam Bayrout al Cinemaiya/Beirut Cinema Days, Lebanon
Arab Screen Independent Film Festival, Doha, Qatar
Images du Monde Arabe, NFB Theatre, Montréal
Galerie Nikki Diana Marquardt, Paris
Palestine on Film, Tom Mann Theatre, Sydney, Australia
The Banff Centre of the Arts, Banff, Alberta
Pacifc Cinematheque, Vancouver
University of California, San Diego
Théatre de Beyrouth, Beirut, Lebanon
Free Speech TV, Boulder, Colorado
Whitney Museum of American Art Independent Study Program, New York Hagop Kevorkian Center for Near East Studies, New York University
Artists Television Access, San Francisco
American Centre, Paris, France
Millennium Film Workshop, New York
Örökmozgó Cinema/Magyar Filmintézet, Budapest, Hungary
San Francisco Cinematheque, San Francisco
Institut du Monde Arabe, Paris, France
Friedensalle 12/Weltbekannt, Hamburg
The 90’s Channel/Free Speech Media, Boulder, Colorado
Harvard University, Cambridge, Massachusetts
McGill University, Montréal, Québec
CEPA Gallery, Buffalo, New York
EM/Media, Alberta College of Art, Calgary
National Film Board/Metro Cinema, Edmonton, Alberta
New York Film & Video Council, Hunter College, New York
Manhattan Neighborhood Network, Ch. 69, New York
Orientalishes Kulturfestival, Deutsches Filmmuseum, Frankfurt
Artists Space, New York, New York
New Langton Arts, San Francisco, California
National Film Theatre, British Film Institute, London
Sue Spaid Fine Art, Los Angeles, California
The Wexner Center for the Arts, Columbus, Ohio
The 90’s Channel/TCI Cable Systems, Boulder, Colorado
Printed Matter, New York, NY
Labetxea SA, Bilbao, Spain
Video Les Beaux Jours, Strasbourg, France
911 Media Arts Center, Seattle, Washington
The National Film Board, John Spotton Cinema, Toronto
Video In, Vancouver, B.C., Canada
Northwest Film & Video Centre, Portland, Oregon
The New School for Social Research, New York
The Banff Centre for the Arts, Banff, Alberta, Canada
M.I.T., Cambridge, Massachusetts
University of Michigan, Ann Arbour, MI
American University, Washington, D.C.
Canadian Arab Federation, Etobicoke, Ontario
Okanagan University College, Kelowna, B.C., Canada
Cinema Parallel, Montréal, Québec
Artists Television Access, San Francisco, California
The Contemporary Middle East, University of Rochester, N.Y.
The Banff Centre for the Arts, Banff, Alberta, Canada
Centre for Lebanese Studies, Oxford, England
Duke University, Durham, North Carolina
The Knitting Factory, New York
1994: 1993:
7 DCTV, New York, NY.
Video In, Vancouver, B.C., Canada
Okanagan University College, Kelowna, B.C., Canada Ed Video, Guelph, Ontario, Canada 1992: Art and Culture, Beirut, Lebanon
American University of Beirut, Lebanon
Babylon Cinema, Berlin, Germany
National Film Theatre, British Film Institute, London 1991: ABC No Rio, New York
Arabikansojen Ystävyysseura ry., Helsinki, Finland
Arthouse, Dortmund, Germany
Artists Television Access, San Francisco, California
Cross Cultural Communications Centre & C.I.D.E.R., Euclid Theatre, Toronto, Canada Downtown Community Television Center, New York
Eiszeit Kino, Berlin, Germany
Filmwerkstatt, Münster, Germany
George Washington University, Washington, DC
New School for Social Research, New York
Hampshire College, Amherst, Mass.
Kino Im Komm Cinema, Nürnburg, Germany
Lichtwerk, Kino Im Filmhaus, Bielefeld, Germany
M.I.T., Cambridge, Mass.
Melkwerg (Milkyway), Amsterdam, Holland
Millenium Film Workshop, New York
Nadja: Women Concerned About the Middle East, Berkeley, California
New England College, U.S. Campus, Henniker, N.H.
New Langton Arts, San Francisco
Northeastern University, Boston, Mass
Oboro, Montréal, Québec
Palestine Solidarity Committee, Wooster, Mass.
Stanford University, Palo Alto, California
Syracuse University, New York
The Space, Boston, Mass.
Union for Arts and Culture, Venlo, The Netherlands
Wellesley College, Wellesley, Mass.
Wexner Center for the Visual Arts, Columbus, Ohio
York University, Toronto, Canada 1990: Collective for Living Cinema, New York Columbia University, New York Harvard University, Cambridge, Mass.
Pacifc Film Archives, University of California, Berkeley Art Museum New School for Social Research, New York
Blauwe Aanslag (Blue Assault), den Haag, Holland
Pitt International Gallery, Vancouver, British Columbia
San Francisco Art Institute, California 1989: Collective for Living Cinema, New York
Rutgers University, New Brunswick, New Jersey 1987: New Langton Arts, San Francisco Group Screenings 2017 Picture Palestine: Ruptured Chronologies, 46th International Film Festival Rotterdam, NetherlandsVIII Festival du Film Documentaire de Cachoeira, curated by Nicole Brenez, Cachoeira, Bahia, Brazil 2016: Voicing on Film, University of Rochester, NY 2015: Video-Forum, tranzit.ro, Iasi, Romania
2013: The Gatekeepers, Cinema Beltrade, Milan, Italy Middle East Film Festival, Filmhouse, Edinburgh, Scotland
2012: London Palestine Film Festival, curated by Samar Martha, Barbican Cinema, London, UK Eye on Palestine, Maison des Cultures Maroco-Flamande, Brussels, Belgium 2011: 22nd Ankara International Film Festival, Turkey AAVE (Alternative AudioVisual Event), Malmitalo, FinlandObjects of War, Flux Factory, Long Island City, New York4th Arab Film Festival, ‘Humour in Arabic Film’, BerlinSoirée Transat, FRAC Basse-Normandie, Caen, France The Typhoon Continues and So Do You: Rising Tide, Flux Factory, Long Island City, New York
Terrorist Transgressions: Cultural Representations, School of Arts, Birkbeck, University of London, UK
Accented Video & the Autobiographical, curated by Aisha Jamal & Sarah Shamash, Makan Art Space, Amman, Jordan
Cultural Representations of the Terrorist, Dept. of History of Art & Screen Media, School of Arts, Birkbeck, University of LondonUn État du Monde.. et du Cinema 2011, Forum des Images, Paris, France 2010: Open Archive #2 - Notes from the Confict Zone - From Palestine with..., Argos BrusselsCitizens & Subjects – Personal Diasporas and the Politics of Belonging, Argos, Brussels
8 Analogue: Pioneering Video from the UK, Canada and Poland (1968-88), curated by Lisa Steele & Peggy Gale, Gallery Lambton, Sarnia, Ontario 2009: Decadent Resistance: The Aesthetics of Politics (and Politics of Aesthetics) in Vancouver Video Practice, 1967-2008 (desmedia collective), curated by Amy Lynn Kazymerchyk & Michael Lithgow, Pacifc Cinematheque, Vancouver Cruel Weather: Recent Film/Video from the Arab Middle East, curated by Jay Murphy, Peacock Visual Arts, Aberdeen, ScotlandCritical Dialogue on Canadian Cinema: Practical Dreamers, curated by Mike Hoolboom, Cinematheque, Winnipeg
Images in Time/Images in a Time of War, curated by Nasrin Himada, Concordia University, Montréal
London Palestine Film Festival, curated by Samar Martha, Barbican Cinema, London, UK Cartes Postales: From Beirut with Love, Arts Picture House, Cambridge Film Festival, England 2008: Terra Nostra, Canadian Film Institute, National Library and Archives, Ottawa London Palestine Film Festival, curated by Samar Martha, Barbican Cinema, London, UK
FilmFest, 25th Middle East Studies Association Film Festival, Washington, DC
Analogue: Pioneering Video from the UK, Canada and Poland (1968-88), curated by Lisa Steele & Peggy Gale, Art Gallery of Sudbury, Kitchener-Waterloo Art Gallery, Art Gallery of Windsor, Ottawa Art Gallery, and Art Gallery of PeterboroughActs of Resistance: Global Indigenous Struggles, The Artel, Kingston, Ontario
Toronto Palestine Film Festival, Revue Cinema, Toronto 2007: Touring Libanon, 23rd Hamburg International ShortFilmFestival, curated by Nasser Brake & Kirsten Herfel, GermanyVidéo et après, Carte Blanche à Elvan Zabunyan, Center Georges Pompidou, Paris
Résistance(s), Carte Blanche á Lowave, Center Georges Pompidou, Paris
First Peoples, Athens International Film & Video Festival, Ohio Resistance(s), Shoot Me Festival, Einhoven, Netherlands; Toulouse, and Centre Pompidou, ParisImpakt Festival, Utrecht, Netherlands
Media Art Festival, Friesland, Netherlands (solo)
Un.occupied Spaces, Artivistic, Montréal Image & Nation, LGBT Film Festival, Montréal
Festival Diagonale 07, Forum Stadtpark Graz, Austria
Pressure Points, Sydney Arab Film Festival, Australia
A Knock at the Door, Anthology Film Archives , New York, curated by Seth CameronFinger Lakes Environmental Film Festival, Ithaca, New York 2006: Analogue: The Days Before Digital 1968-1988, curated by Lisa Steele & Peggy Gale, Tate Britain Museum, London, England & Anthology Film Archives, New York The Colonial Dream: Autonomous Zones, OVNI, Centre de Cultura Contemporània, Barcelona 5th Toronto Arab Film Festival, OCAD, Toronto
Anti, Contemporary Art Festival, Kuopio, Finland
Coté Court Film Festival, Présence Libanaise, Pantin, France Il Giovane Cinema Italiano, Sulmonacinema Film Festival, Sulmona, Italy Made in Video Festival, Chamber of Public Secrets, Copenhagen, Denmark 2005: Cinema National Populaire de Tours, France Festival de Cine Árabe, Santiago de Compostela, Spain
Nuevo Video Árabe, La Casa Encendida, Madrid
Nuevo Video Árabe, Puertas de Castilla, Murcia, Spain
Nuevo Video Árabe, Cine Víctor, Filmoteca de Canarias, Santa Cruz de Tenerife, SpainAnimation, Museé Cantonal des Beaux-Arts de Lausanne, curated by Barbara KönchesFriction in Between, Goethe Institute & The GoDown Arts Centre, Nairobi, Kenya Ein Zentrum in der Peripherie, NERZ-KG, Peripherie, Tübingen, Germany
Terrorism, counter terrorism & the threat to the rule of law, Goethe Institute, New YorkResistances, OVNI 2005 Video Festival, Centre de Cultura Contemporania de BarcelonaTemporal Transmissions, Eastern Edge Gallery, St. John’s, Newfoundland
Temporal Tramsmissions, Alternator Gallery, Kelowna, Canada
Image Acts, Amnesty International Firefy Project, New York
LGBT Montreal Film Festival, Image+Nation, Montréal
32nd Athens International Film & Video Festival, Ohio
Transat Vidéo, Caen, France 2004: 6th International Documentary Encounter , Bogotá, Columbia
Paisatges Després de la Batalla, Centre d’Art la Panera, Lleida, Spain
Channel Zero, Netherlands Media Art Institute, Monte Video/Time Based Arts, Amsterdam, curated by Katerin GregosSpeaking, Remembering, Dreaming, Pacifc Film Archives, University of California, Berkeley, curated by Kathy GeritzDifferenciales: Canadian Experimental Film and Video, Museum of Modern Art, Bogota, Columbia
Differenciales: Canadian Experimental Film & Video, Cinematheque, Cali, Columbia
Hommage a Michel Foucault: Seances Experimentales, Cinémathèque Française, Paris
Image(s) du Moyen Orient, Maison de l'image, Vidéo Les Beaux Jours, Strasbourg, France
..né.à Beyrouth, Rendez-vous cinématographique , l'Empire Sofl, Beirut, Lebanon
Nuevo Video Arabe, Centro Cultural Cajastur, Muralla Romana, Gijon, Spain
17th Singapore International Film Festival, Singapore
Video Village, Futurshow, Trienalle, Milan, Italy
Thailand New Media Art Festival, Bangkok, Thailand
Art of Fact, Video In & Channel 4 TV, Vancouver, curated by Michael Lithgow
Signal & Noise, Video In, Vancouver 2003: 13th Mostra Curta Cinema - Rio de Janeiro International Short Film Festival, Brazil32nd Rotterdam International Film Festival, Netherlands
9 16th Singapore International Film Festival, Singapore
16th European Media Art Festival, Osnabrück, Germany
8th Cinematexas International Short Film Festival, Austin, Texas
Possible Narratives, curated by Christine Tohme & artist Akram Zaatari, 14th VideoBrasil Festival Internacional de Arte Electronica, Sao Paulo, Brazil
Nouvelles Formes du Pamphlet Visuel, Rencontres Cinema de Gindou, France, curated by Nicole BrenezRooseum Universal Studios, Rooseum Center For Contemporary Art, Malmo, Sweden
Archivos del Observatorio, OVNI, Centre de Cultura Contemporània de Barcelona, Spain
Videoex International Video & Experimental Film Festival, Zurich
Festival Résonances, curated by Nicole Brenez, Bobigny, France,
Invideo-Experimental And Art Video, Triennale, Milan, Italy
War is Not Art (Oorlog is geen kunst), Vooruit, Gent, Belgium
Future Perfect, d>art Media Festival, Sydney, and tour to Adelaide, Australia
Lebanese & Palestinian Film Week, Documentary & Experimental Film Centerm, Tehran, Iran
5ème Festival des Cinémas Différents, Paris
Exile Film Festival, Frölunda, Sweden
Tabor Film Festival, Zagreb, Croatia
Video Lisboa, Lisboa, Portugal
Video Marathon, Art in General, New York
Dreams of a Nation, Columbia University, New York
So Much I Want To Say, Intermedia Arts, Minneapolis, Minnesota
Introduction to Arab Cinema: Zeitgeist Multi-disciplinary Arts Center, New Orleans
Impakt Video Festival, Alternative Histories of Modern Confict, Utrecht, Netherlands
Homeland: Speaking of Home, Whitney Museum of American Art ISP, CUNY, New York
Experimentica, Cardiff, Wales
16th Images Film Festival, Toronto
Cinematheque Quebecoise, Montréal
Signal & Noise Festival, Video In, Vancouver
Arabische Filmtage, Univeristy of Art and Design/Xenix Theatre, Zurich
Video Salon, Faucet Media Arts, Sackville, New Brunswick
DisORIENTation, Haus Der Kulturen der Welt, Berlin
Exploreasian 2003, Blinding Light, Vancouver
Manifestation Interzones, Strasbourg, France
Cinema Series, Optic Nerve, Peterborough, Ontario
Shouf: New Video from Middle Eastern America, San Diego
Here and Elsewhere: Arab Perspectives on the Near East, Block Museum of Art, Evanston, IL 2002: Bilder Codes, Zentrum fuer Kunst & Medientechnologie, KarlsruheSplit International Film Festival, Split, Croatia
Ayam Bayrout al Cinemaiya/Beirut Cinema Days, Lebanon Bibliomania, Printed Matter, New York, curated by Simon MorrisArab & Iranian Film Festival, Quad Theatre, Alwan, New YorkRight2Fight, Sarah Lawrence Collge, New York IntraNation: Race & Politics in Canadian Art, curated by Ashok Mathur, Emily Carr Institute of Art & DesignContested Territories, Signal & Noise Festival, Video In, Vancouver
Arab and Iranian Film Festival, New York
Palestine International Video Festival, Kasbah Theatre, Ramallah Khalil Sakakini Cultural Center, Ramallah
Emirates Film Festival, Abu Dhabi, United Arab EmiratesCinéma Libanais Avenir Présent, National Film Board, Montréal 2001: Intifada & Goliath, ATA, San Francisco
Biennale de l’image en Mouvement (Biennial of Moving Images), Centre for the Contemporary Image, Geneva
World Wide Video Festival, Amsterdam, Netherlands
Argos Film and Video Festival, Brussels, Belgium
Mediaterra Festival, Center For Art & New Technologies. Athens, Greece
Attahrir (Liberation), curated by Georges Zaanni, Beirut, Lebanon
Ljubljana Kinotheka, Centre for Contemporary Arts, Slovenia
Of Bodies & Politics, New Experimental Video, Arab Film Festival, San Francisco Cinematheque & Artists Television Access, San Francisco
ID Video Out, curated by Shawn Chappelle, Gallery Connexion, Fredricton, New Brunswick 2000: Monter/Sampler, Centre Georges Pompidou, ParisNova Cinema, Brussels, Belgium Eurovision2000/Café9, Prague, Czechoslovakia
The Basic Trust Human Rights Festival, Ramallah/Tel AvivImages Du Monde Arabe, National Film Board, MontréalPalestine Film Festival, Blinding Light, Vancouver 1999: Voir la Video, Montréal, Québec
1998: Reversal to Digital, Third World Newsreel at 30, Museum of Modern Art, New York, NY Hungry Minds Think Alike, Künstlerhaus Bethanien House, Berlin
1997: Selected Memories, curated by Dirk De Wit, Palais des Beaux-Arts de Bruxelles, Belgium MMF Festival, Helsinki, Finland
Browser, Artropolis '97, curated by Kitty Scott & Andrew Renton, Vancouver
10
1996: 1995: Revoir la collection, curated by Nicole Gingras, Vidéographe, Montréal, QuébecCine-Arab, UCLA Film and Television Archive, Los Angeles, California Mendocino Coast Jewish Community Center, Little River, California
Bridge The Gap, Experimental Film & Video, Rialto Theatre, AmsterdamBiennale des Cinémas Arabes a Paris, Institut du Monde Arabe, Paris, FranceAsian American International Film Festival, Washington, DC Islamic Perspectives on Society, Third World Television Exchange, Goethe House, New YorkFestival Son et Images de Gentilly, France
Image/Quest, Théatre de Beyrouth, Beirut, Lebanon
Identity/Displacement, LACE (Los Angeles Contemporary Exhibitions), Los Angeles Under Construction: Rethinking Images of Identity, Armory Center for the Arts, Pasadena, CaliforniaSan Francisco International Asian American Film Festival, San Francisco
International Audio Visual Festival, Arnhem, Netherlands
Overspraak (Crosstalk), Monte Video/TBA, Amsterdam, Netherlands Retina ‘95, IV International Film & Video Festival, Szigetvár, HungarySunny Side of the Doc, Marseille, France
Images du Monde Arabe, Montréal, Québec
Arts Festival of Atlanta, Atlanta, Georgia Arabesque, Cultural Festival, Frankfurt, Germany
Institut für Filmwissenschaft Goethe-Universität, Frankfurt am Main, Germany
The 90’s Channel/Free Speech TV, Boulder, Colorado
De Ijsbreker, Contemporary Music, Amsterdam, The Netherlands
The American Living Room Festival, Here, New York
The Cinema of Displacement: Middle East Cultures & the West, New York University, New York
San Francisco Cinematheque, San Francisco
Athens International Film and Video Festival, Athens, Ohio
Image (con)Text, NE Regional SPE Conference, University of Hartford
Society for Cinema Studies Conference, Syracuse, NY
Images du Monde Arabe, Centre d’Etudes Arabes Pour le Dévelopment/Vidéo Tiers Monde, National Film Board Theater, Montréal
La Troisieme Fenetre, Vidéographe, Montréal, Québec
4th Copenhagen Film & Video Workshop Festival, Denmark
Jornada Internacional de Cinema da Bahia, Salvador, Brazil
12th World Wide Video Festival, Den Haag, The Netherlands
15th Festival & Forum Int’l des Nouvelles Images Video Art, Locarno, Switzerland
5th Int’l Centre of New Cinema Film Forum, Riga, Latvia
23rd Festival Int’l de Cinema, Figueira da Foz, Portugal
Videonews *1, American Centre, Paris, France
Vagamundo: Refexiones Sobre el Exilio, Filmoteca de Andalucía, Córdoba, Spain (tour to: Museo de Arte Contemporáneo, Seville, Spain; Filmhouse, Granada, Spain)
FilmFest ‘94, Middle East Studies Conference, Phoenix, Arizona.
De Andere Film, Brussels, Belgium
IMPAKT/Ekko, Festival voor experimentele kunst, Utrecht, Holland
Rumors of War, Pyramid Arts Centre, Rochester, New York
Works from Lebanon, Anarchy Cafe, New York, New York
Visions of U.S., Massachusetts College of Art, Boston, MA; and Downtown Community TV Center, New YorkSeeking Identity in Exile, The Euclid Theatre, Toronto
Cinevideo Festival, Karlsruhe, Germany
X Works, Paris, France
5e Semaine Internationale de Vidéo, Genève, Switzerland
Internationales Leipziger Festival Für Dokumentar & Animationsflm, Germany
Middle East Studies Conference, Triangle Park, N. Carolina
Media Burn, University of Rochester, Rochester, N.Y.
Smoky Mountain Media Festival, Whittier, North Carolina
War: Borders, Sites and Representations, Cinéma Parallele, Montréal
12e Festival International du Jeune Cinéma, Montréal
Cinema Le Melville a Rouen, Rouen, France
Dokumentarflm & Videofest, Filmladen e.V., Kassel, Germany
Festival Video Pop Combo a Rennes, France
Fishing for Documents, Botschaft e.V, Friseur, Berlin
Instituto Francese di Firenze, Florence, Italy
No-TV & Movies #11, Visual Studies Workshop, Rochester, New York
Núcleo dos Cineastas Independentes, Lisboa, Portugal
Tele:Visions, Institute of North American Studies, Barcelona, Spain
Videonale, Bonn, Germany
World Wide Video Festival, Kijkhuis, Den Haag, Netherlands
Denonciation, Usine Fromage, Ecole d'Architecture de Normandie, Darnetal, France
Espace Lyonnais d'Art Contemporain, Lyon, France
Tele-Visions: Channels for Changing T.V., Long Beach Museum of Art, California
AVE, International Audio Visual Experimental Festival, Arnhem, The Netherlands
1994:
1993: 1992: 1991:
11
1990: Cross Cultural Communication Centre, Toronto
Gay and Lesbian Arabic Society, Washington, DC
Grierson Documentary Seminar, National Film Board of Canada Cinema, Toronto
Hallwalls, Buffalo
Human Rights Watch Film Festival, Human Rights Watch, Angelika Theatre, New York
Images '91, Festival of Independent Film and Video, Northern Visions, Toronto
IMPAKT/Ekko, Festival voor experimentele kunst, Utrecht, Holland
Kulturzentrum Rote Fabrik, Zurich, Switzerland
No-TV & Movies #10,Visual Studies Workshop, Rochester, New York
Nouvelles de la Nord Amerique, La Station Video, Mons en Baroeul, FrancePerception/Misperception, L.A.C.E., Los Angeles, California
PhilaFilm (Philadelphia International Film Festival), Pennsylvania
Stories from the Collection, Visual Studies Workshop, Rochester, New York
37th Robert Flaherty Seminar, International Film Seminars, Inc., Aurora, New York
'People to People', Prague, Czechoslovakia
3rd International MuuMedia Festival (Other Media Festival), Helsinki, Finland
4th International Video Week (Semaine International de Vidéo), Saint Gervais, Genève,Switzerland7th Documentary Film and Video Festival, Filmladen, Kassel, Germany
13th Festival de Cinema de Douarnenez, France
15th Atlanta Film/Video Festival, Image Film/Video Center, Georgia
Palestine in Film', Jugendflmclub Medieninformationszentrum, Köln, Germany
Arts Festival of Atlanta, Georgia
Athens International Film and Video Festival, Ohio
Carre Blanc Sur Fond Blanc Video Festival, Bruxelles, Belgium
CinéVideo Festival, Karlsruhe, Germany
European Media Art Festival, Osnabruck, Germany
Festival Video Vitoria, Vitoria-Gasteiz, Spain
Fotoptica International Video Festival, Sao Paulo, Brazil
Human Rights Watch Film Festival, Walker Arts Center, Minneapolis, Minnesota
Infermental 10th Ed., Internationale Kurtzflmtage, Oberhausen, Germany
International Video Festival, Rio de Janeiro, Brasil
Kijkhuis World Wide Video Festival, den Haag, Holland
Louisville Film and Video Festival, Artwatch, Kentucky
Middle East Studies Association Film Festival, San Antonio, Texas
Mill Valley Film Festival, California
Montbeliard International Video and Television Festival, France
Nemzetkozi Film és Vidéo Muveszeti Festival, Gyor, Hungary
No-TV #9, Visual Studies Workshop, Rochester, New York
Retina '91 Festivál, Film és Video (2nd Int'l Exper. Film & Video Festival), Szigentvár, HungaryRotterdam Film Festival, den Haag, Holland
Sound Basis Video Festival, Warclow, Poland
Tage Des Unabhangigen Films (7 Days of Independent Films), Augsburg, Germany
Video Musica, Universidad de Zargoza, Zargoza, Spain
Video Witnesses: Festival of New Journalism, Hallwalls, Buffalo
VIPER, International Film und Videotage, Luzern, Switzerland
In These Times, New American Makers, San Francisco Opera House, San Francisco
Independent Focus, WNET CH. 13 (PBS), New York
Kansas City International Video Festival, Charlotte Crosby Gallery, KCAI, Mo.
World Wide Video Festival, The Hague, Holland
7th Annual Daniel Wadsworth Memorial Video Festival, Real Art Ways, Hartford, CT
DCTV, (Downtown Community Television), New York
10th International Festival for Film & Video, Brussels, Belgium
Contemporary Video Shorts, KBDI-TV (CH. 12), Colorado
Infermental #8, Tokyo, Japan
Kijkhuis World Wide Video Festival, The Hague, Netherlands
No-TV, Visual Studies Workshop, Rochester, NY
Relay Zone, Kansas City Art Institute, Kansas City, Mo.
No-TV #6, Visual Studies Workshop, Rochester, NY
World Wide Video Festival, Kijkhuis, The Hague, Netherlands
Salso Film & Television Festival, Salsomaggiore, Italy
National Video Festival, American Film Institute, Los Angeles
4th Festival Internazionale Cinema Giovani, Torino, Italy
World Wide Video Festival, Kijkhuis, The Hague, Netherlands
Let’s Watch TV, Artists Television Access, San Francisco
San Francisco International Video Festival, San Francisco
No-TV #5, Visual Studies Workshop, Rochester, NY
The Funnel Experimental Film Centre, Toronto
World Wide Video Festival, Kijkhuis, The Hague, Netherlands Performances
1989: 1988: 1987: 1986: 1985: 1984:
12 2015 subjective affnities/gleaning spaces, Internationale Sommerakademie für Bildende Kunst, Salzburg, Austria
secret agents.. working in/out of untitled photographs: location/dis-location(s): gleaning spaces, Carleton University, Ottawa 2014 tangible cartographiers: surviving the colonial/welcome to my house, (with Manuel Pina), Performing Utopias Conference, The University of British Columbia, Vancouver
2011 subjective affnities: concretizing the ephemeral - a social convergence, Shift Symposium, Strandline Curatorial Collective, MacKenzie Art Gallery, Regina
2010 Framing Culture/Engaging Community, Production & Process Across the Great Divide or Subjective Affnities & where do you choose to place yourselves or be placed.., Simon Fraser University, Vancouver 2008 interrupting orientalism: denying the trajectory, Centre A/SFU Theatre, Vancouver perception & process: art/media making as convergence, Damp, Pacifc Cinematheque, Vancouver
representing the unrepresentable: subjective affnities I: Govett-Brewster Art Gallery, New Plymouth, New Zealand the heart that has no love/pain/generosity is not a heart, Alternator Gallery for Contemporary Art, Kelowna representing the unrepresentable: subjective affnities III: We Declare/Flying University, Gallery Gachet, Vancouver 2005: genealogy of the present: untitled, Alternator Gallery, Kelowa
Kan ya ma kan/(un)classifed/classifed materials, Vancouver Art Gallery 2004: representing the unrepresentable: there is no arab art, Zenith Foundation, Barbican Museum, London, England
a comparative study, California Institute of the Arts, Valencia
autopsy of the oblique in a dissection of intent: images of death in a limited genealogy, University of South Florida, Tampa history of the present: a selective video genealogy, Video Village, Futurshow, Trienalle, Milan, Italy
sans titre/untitled, Université du Québec à Montréal, Montréal
human rights and self determination, University of British Columbia, Vancouver 2003: everything and nothing: concretizing the ephemeral/ephemeralizing the concrete, Visible Evidence, Bristol, England 2002: concretizing the ephemeral/ephemeralizing the concrete: throwing out ‘identity’ with the bathwater (and the tub) whilecarrying on in the bath, IntraNation: Race & Politics in Canadian Art, Emily Carr University, Vancouver 1988: light-cone, Sushi, Inc., San Diego XCHNG, video & performance, Media, San Francisco
1986; Sushi Inc., San Diego, California
1985: in the absence of heroes: warfare/a case for context, Western Front, Vancouver 1984: in the absence of heroes: warfare/a case for context, Music Gallery, Toronto
Museum/Gallery Collections Artbank, Canada Council, Ottawa
Art Gallery of Windsor, Ontario
The Banff Centre for the Arts, Permanent Collection Bibliotheque Nationale, Paris
Canadian Museum of Contemporary Photography, Ottawa CaixaForum, Fundacio la Ciaxa, Barcelona
The Cameron Public House, Toronto
Carleton University Art Gallery, Ottawa
Centre Georges Pompidou, Paris
Centro Galego de Arte Contemporánea, A Coruña, Spain City of Seattle Offce of Arts & Culture
Everson Museum, Syracuse, New York
Experimental Television Centre, Owego, New York Fotohof, Salzburg, Austria
Franklin Furnace, New York
International Polaroid Collection, Offenbach, Germany
J. Paul Getty Museum, Los Angeles
Kenderdine Art Gallery, Saskatoon University/Educational Collections Advanced Education Media Ctr, Langara College, Vancouver Amherst College, Amherst, Massachusetts
American University of Beirut, Lebanon
Berzeit University, Ramallah, Palestine Bibliothèque Ecole Beaux Arts, Paris Bibliotheque Cantonale, Switzerland Binghamton University, Binghamton, New York B.U. Université de Paris 8, France California College of Arts & Crafts, Oakland California Institue of the Arts, Valencia Carnegie Community Centre, Vancouver Carleton University, Ottawa Centre International de Création Vidéo, Montbéliard, France College of William and Mary, Williamsburg, Virginia Long Beach Museum of Art, California
Madison Museum of Contemporary Art, Wisconsin
Mendel Art Gallery, Saskatoon
Museum of Contemporary Art, Belgrade
The Museum of the Americas, Managua, Nicaragua
Museum of Modern Art, New York
National Gallery of Canada, Ottawa
National Museum of Contemporary Art, Greece
OVNI (Observatori de Video No Identifcat), Barcelona Photographers Gallery, Saskatoon, Canada
Polaroid Europa Internat’l Collection, Netherlands
Saradar Collection, Beirut, Lebanon
Sharjah Art Foundation, UAE
Taller Galeria Fort, Barcelonia, Spain
Vancouver Art Gallery, British Columbia
Zenske Studij (Women's Studies Centre), Belgrade
Zentrum für Kunst & Medientechnologie, Karlsruhe, Germany Centre for Contemporary Arab Studies, Georgetown Columbia University, New York
Concordia University, Montréal
Confederation Centre of the Arts, Charlottetown, PEI Connecticut College Dartington College of Arts, Devon, England
Dartmouth College, Hanover, New Hampshire
Depot: Kunst und Diskussion, Vienna, Austria
Donnell Media Center, New York Public Library, New York Duke University, N. Carolina E. H. Bobst Library, New York University, New York Ecole Superieure de Beaux-Arts, Geneve, Switzerland Emily Carr University of Art and Design, Vancouver Emory University, Atlanta, Georgia Fairfeld University, Fairfeld, Connecticut Faucet Media Arts, Sackville, New Brunswick 13 Florida Atlantic University, Boca Raton
George Mason University, Fairfax, Virginia
Georgetown University
Goldsmiths' College, London, England
Green Library, Stanford University, Stanford, California Hagop Kevorkian Center for Near Eastern Studies, New York University, New York
Hamilton College, Clinton, NY
Hampshire College, Amherst, Mass.
International Institute of Social History, Amsterdam
Mabel Smith Douglas Library, Rutgers University, New Jersey Macalester College, St. Paul, Minnesota
Media Resources Center, Berkeley, California
Médiathèque Cabanis, Toulouse, France
Metro Toronto Reference Library, Ontario
Millsaps College, Jackson, Mississippi
Mount Mercy College, Cedar Rapids, Iowa
Mount Royal College, Alberta
Newport University, Virginia
New York Public Library
New York University, Cinema Studies, New York
New York University Libraries, New York
North Carolina State University, Raleigh
Northwestern University, Evanston, Illinois
Ohio State University, Columbus, Ohio
Ohio University, Athens
Otis College of Art & Design, Los Angeles
Ontario College of Art & Design, Toronto
Orradre Library, Santa Clara University, California Pennsylvania State University
Queen’s University, Kingston, Ontario
Reed College, Portland, Oregon
Rice University, Fondern Library, Houston, Texas
San Francisco State University, California
Santa Clara University, California
Sara Lawrence College, New York
Shaunee State University
Simon Fraser University, Vancouver
Smith College, Nielson Library, Northampton, Massachusetts Sonoma State University
Texas State University, San Marcos, Texas Grants + Awards The College of New Jersey, Trenton, NJ
Toronto Public Library, Ontario, Canada
Tufts University, Medford, Massachusetts Trinity University of San Antonio, Texas
Tulane University, New Orleans, Louisianna UCLA Film and Television Archive, Los Angeles University of British Columbia, Vancouver Universtiy of British Columbia, Okanagan University of California, Berkeley University of California, Davis
University of California, Irvine
University of California, Santa Barbara
University of California, San Diego
University of Connecticut, Homer Babbidge Library University of Arizona, Tucson University of Chicago, Illinois
University of Florida, Gainsville
University of Georgia
University of Houston, Clear Lake
University of Illinois, Chicago
University of Maryland, College Park, Maryland University of Michigan University of Minnesota, Wilson Library, Twin Cities University of North Carolina, Chapel Hill
University of Pennsylvania, Philadelphia
University of South Florida, Tampa University of T exas
University of Toronto, Ontario
University of Vermont
University of Victoria
University of Windsor
University of Wisonsin
Visual Studies Workshop, Rochester, New York Yale Film Study Center, New Haven, Connecticut Wellesley College, Wellesley, MA
Weltbekannt e.V., Hamburg, Germany
Wesleyan University, Middletown, CT Willamette University, Salem, Oregon
Windsor Art Gallery, Ontario 2016 ScotiaBank Photography Award, fnalist, Toronto
Artist in Residence, VIVO Media Arts Centre, Vancouver Coastal, City of Vancouver public art commission
2014 Governor General’s Award in Visual and Media Arts, Ottawa
2010 Images Prize for Best Canadian Media Artwork, Images Festival, Toronto
2009 Studio Residency Program, Artspace, Sydney, Australia
2008 Govett-Brewster Gallery, International Visiting Artist Residency, New Zealand 2007 Canada Council Long Term Grant (Visual Arts)
2002 British Columbia Arts Council Media Arts Grant (Photography)
2001 Canada Council Media Production Grant (Video)
2000 British Columbia Arts Council Visual Artists Grant (Photography)
1998 Canada Council Creative Development Grant (Video) Banff Centre for the Arts, The Long March.. residency, Alberta Centre for Art Tapes, Halifax: Production Residency 1997 Canada Council Production Grant (Photography) 1996 New York State Council on the Arts, New Media Grant 1994 New York Foundation for the Arts, Artists’ Fellowship Banff Centre for the Arts, End of the Nation State residency (Photography), Alberta 1993 Art Matters Inc. Fellowship, New York Wexner Center for the Visual Arts, Columbus, Ohio; Production Residency Banff Centre for the Arts, Nomad residency (Media Arts), Alberta 1990/91 British Columbia Media Arts Program; Travel Grants 1990 Polaroid Corporation 20 x 24" Studio Grant, New York, New York P.S. 1 Studio, The Institute for Contemporary Art, Queens, New York 1989/90 Artists' Space Artists' Grant, New York 1990 14 P.S. 1 Studio, The Institute for Contemporary Art, Queens, New York 1989 New York State Council on the Arts, Media Production grant
1988 Long Beach Museum of Art, 'Open Channels' Video Production Grant, California The Media Bureau-Finishing Funds Grant, The Kitchen/NYSCA, New York 1987/88 Canada Council Visual Arts Project Grants Ontario Arts Council Visual Arts Project Grants
1985-88 Regents Fellowship, University of California, San Diego 1986/90/93 Canada Council Video Production Grants, Media Arts Program 1986 Lightwork, Syracuse, NY (Artist in Residence)
1985 Experimental Television Center, Owego, NY (Artist in Residence) 1984 Music Gallery, Toronto (Commissioned Performance) 1982/97-9/01-2 Canada Council Travel Grants
1981/83 Canada Council Photography Short Term Grants
1981-83/85 Ontario Arts Council Photography Exhibitions Grants 1981/2/4/6 Ontario Arts Council Photography Project Grants Lectures and Panels 2017: The Banff Centre and Photographic Practice, conference of the Univeristies Art Association of Canada, Andrea Kunard, The Banff Centre for the Arts, Alberta (panel) Walid Raad in Conversation with Jayce Salloum on Beirut, Djavad Mowafaghian World Arts Centre, SFU, Vancouver (talk) sujets a : désir — demandes, Journée de discussion, Momenta|Biennale De L’image Montréal, Canadian Centre for Architecture (panel) in/tangible cartographies: subjective affnities/ representing the unrepresentable, Making Home in Wounded Places: Design, Memory, and the Spatial Symposium, Parsons New School, New York (panel) 2016: representing the unrepresentable: subjective affnities/concretizing the ephemeral getting to untitled + gleaning spaces instances 1978 – 2016, Ryerson University, School of Image Arts, Toronto (lecture) subjective affnities: concretizing the ephemeral & engaging practices with (un)common knowledges, Emily Carr University of Art & Design, Vancouver (lecture) 2015: Art Is As And Against History: A Conversation on Telling Stories in the Present About the Past, with Elias Khoury, moderated by Kaelen Wilson-Goldie, Home Works 7, Ashkal Alwan, Beirut, Lebanon (panel) Historicizing Kan ya ma kan, with Kaelen Wilson-Goldie, Octavian Esanu & Rico Franses, AUB Art Gallery, Beirut, Lebanon (panel) Art and Memory in Lebanon, Carleton University Art Gallery, Ottawa (panel) 2014: subjective affnities: concretizing the ephemeral & engaging practices with (un)common knowledges, Alberta Educators’ Institute, Alberta College of Art, Calgary (lecture) 2013: Global Dialogue: Nomadic Aesthetics and the Importance of Place, Museum of Anthropology, Vancouver 2012 r eFood: ReWorks Residency, Shingwauk Shingwauk Residential Schools Centre/Algoma University, Sault Ste. Marie 2011 Collective Futures in the Downtown Eastside: part ofMapping the Everyday: Neighbourhood Claims for the Future, (desmedia collective), Audain Gallery, SFU, Vancouver (forum) 2010 sans titre/untitled: the video installation as an active archive +/- a few works leading or following 1982- 2010, Argos, Brussels (lecture) possible beginnings, Common Knowledge: Collaboration & collectivity in artistic, curatorial & critical practice, Artspace, Sydney, Australia (panel) Framing Culture/Engaging Community: Production & 2009 2008 2007 Process Across the Great Divide or Subjective Affnities & where do you choose to place yourselvesor be placed.., Simon Fraser University, Vancouver (panel) What Moves Us, Western Front, Vancouver (panel) representing the unrepresentable: subjective affnities II: Massey University, School of Fine Arts, Wellington, New Zealand (lecture)
the heart that has no love/pain/generosity is not a heart, Centre A: International Centre for Contemporary Asian Art, Vancouver (lecture) subjective affnities I: untitled, ELAM, School of Fine Arts, Auckland University, Aotearoa/New Zealand (lecture)
Subjective Affnities: Engaging Practices, Enclosure, Emancipatory Communication and the Global City, Union for Democratic Communications, School of Communication, Simon Fraser University, Vancouver (panel) engaging art: practices in the public sphere, Cntr. for Contemporary Arts, Simon Fraser University, Vancouver (lecture) Kelowna 2, Alternator Gallery/Swarm, Emily Carr Institute, Vancouver (lecture) Cross Cultural Collaboration, Festival 50o/104o, Saskatchewan Filmpool Co-Operative, Regina, Saskatchewan; & Representations of the Middle East (panel) perception & process, Gallery Gachet, Vancouver (lecture) process > production > presentation, Emily Carr Institute, Vancouver (lecture) Momentum, Images Festival, Toronto (lecture) Arts + Gentrifcation in the DTES, Gallery Gachet/Community Arts Network, Vancouver (chair) Arts + Gentrifcation in Urban Centres, Alibi Room/Community Arts Network, Vancouver (panel) perception & process: engaging context/(social) convergence/a global production of art, Plug In ICA, Winnipeg (lecture)
come hell or high water: doing the dialectic, IMAA Annual Conference, Winnipeg (lecture/panel) elective affnities: desmedia, video & painting in the downtown eastside, Society for Applied Anthropology Annual Conference, Vancouver (panel) Victoria International Arts Symposium, Art vrs Violence and War, Victoria (lecture/panel)
Arts & Gentrifcation in Urban Centres, CAN/Gallery Gachet, Vancouver (panel)
perception & process: social convergence in a global production of art, Thompson River University/Kamloops Art Gallery (lecture)
2006
2005
15 history of the present, New York University, Center for Media, Culture and History, The Center for Religion and Media, and The Kevorkian Center (lecture) exit history: transiting culture(s), some ‘untitled’ instances, 2001-2005, TransCanadas, Wosk Centre For Dialogue/SFU, Vancouver (lecture/panel)
Neighbourhood, Centre A, Vancouver (forum)
genealogy of the present, Okanagan University College, 1995 Kelowna (lecture)
2004 Mutations<>Connections – Cultural (Ex)Changes in Asian Diasporas, Centre A, Vancouver (lecture)
(as if) beauty never ends: 16 Beaver, New York (lecture) untitled: California Institute of the Arts, Valencia (lecture)
Surviving the Image: Representing Death: University of S. Florida, Tampa (panel)
Art of Fact, Video In, Vancouver (panel) 1994 History of the Present: Untitling Memory, University of British Columbia, Dept of Geography, Centre for the Study of Historical Consciousness, and Int’l Canadian Studies Centre, Vancouver (lecture) 2003 Tranz Tech, Int’ll Media Art Biennial, Toronto (panel)
Gallery 101 Galerie, Ottawa, Ontario (lecture) 1993 Simon Fraser University, Vancouver (lecture) 1992 2002 Radical Time, UCLA, Los Angeles (panel)
Making Histories: UCLA, Los Angeles (lecture)
University of California, Irvine (lecture) 1991 Pitzer College, Claremont Colleges, California (lecture) 2001 Arab Screen Ind. Film Festival, Doha, Qatar (lecture) Museum of Contemporary Art, Belgrade, YU (panel) MacKenzie Art Gallery, Regina (panel) Methodologies of Production, Beirut Cinema Days (lecture) 1990 2000 Ecole Nationale Superieur de Beaux-Arts, Paris (lecture) Narrative tendencies in Contemporary Media Art, 1989 World Wide Video Festival, Amsterdam (lecture) Images du Monde Arabe, NFB, Montréal (lecture) 1987 1999 Museum of Modern Art, Ljubljana, Slovenia (lecture) 1985 Zentrum fuer Kunst & Medientechnologie, Karlsruhe
Cntr for Contemporary Art, Belgrade, Yugoslavia (lect) 1983 Depot: Kunst und Diskussion, Vienna, Austria
Nations, Pollinations & Dislocations, Vancouver 1998 National Gallery of Canada, Ottawa (lecture)
Künstlerhaus Bethanien House, Berlin (lecture)
Casula Powerhouse, Sydney, Australia (panel)
College of Fine Arts, Univ. of Sydney, Australia (lect.)
Banff Centre of the Arts, Alberta (lecture) 1982 Nova Scotia College of Art & Design, Halifax (lecture) Art Gallery of Nova Scotia, Halifax (lecture) Southern Alberta Art Gallery, Lethbridge (lecture) 1997 California Institute of the Arts, Valencia (lecture) University of California, San Diego (lecture) MusicWest Conference, Vancouver (panel)
1996 Whitney Museum of American Art ISP, NYC (lecture) Ecole Nationale Superieur de Beaux Arts, Paris (lecture)
Concordia University, Montréal (lecture)
Prim Centre d’Arts Médiatiques, Montréal (lecture) Hampshire College, Northampton, Ma. (lecture) Center for Near Eastern Studies, NYU (lecture) Evergreen College, Olympia, Washington (lecture) Television Exchange, Goethe House, NYC (panel) New Langton Arts, San Francisco (lecture) Hochschule der Künste, Berlin (lecture)
Institut du Monde Arabe, Paris (lecture)
Ecole Supérieure d’Etudes Cinématographiques, Paris Jan Van Eyck Akademie, Maastricht, Netherlands (lect.)
New York Film & Video Council, Hunter College (lect.) Hartnett Gallery, University of Rochester, NY (lecture) EM Media, Calgary, Alberta (lecture)
New School for Social Research, New York (lecture) NFB John Spotton Cinema, Toronto (lecture)
911 Media Arts Center, Seattle, Washington (lecture) Northwest Film & Video Centre, Portland (lecture) The Banff Centre for the Arts, Banff, Alberta (lecture) Okanagan University College, Kelowna, B.C. (lecture) Okanagan University College, Kelowna, B.C. (lecture) American University of Beirut, Lebanon (lecture) Beirut University College, Lebanon (lecture)
Art & Culture, Zouk Mousbieh, Beirut (lecture)
San Franciso Art Institute, California (lecture) University of California, Santa Cruz (lecture)
Academy of Art, Helsinki, Finland (lecture)
Die Brucke, Int'l Zentrum Der Westfalischen (lecture) Wilhelms-Universitat, Münster, Germany (lecture) University of Ottawa, Ontario (lecture)
Emily Carr College of Art and Design, Vancouver (lect.)
Okanagan College/Okanagan Artists' Alternative (lect.)
University of California, San Diego (lecture) Emily Carr College of Art and Design, Vancouver (lect.)
The Banff Centre, Alberta (lecture)
Embassy Cultural House, London, Ontario (lecture) Dazibao Gallery , Montréal, Québec (lecture) Southern Alberta Art Gallery, Lethbridge (lecture) Edmonton Public Library/Latitude 53, Edmonton (lect.)
Grant MacEwen College, Edmonton, Alberta (lecture) University of Manitoba, Winnipeg (lecture)
York University, Toronto (lecture)
Ryerson Polytechnical Institute, Toronto (lecture) Photographers Gallery, Saskatoon (lecture)
Toronto Photographers Workshop, Toronto (lecture) Ontario College of Art, Toronto (lecture)
Concordia University, Montreal (lecture)
University of Winnipeg (lecture)
CEPA Gallery, Buffalo, New York (lecture)
Workshops (conceived, coordinated & lead artist except where noted)
2011 picturing out/ drawing in, 20 First Nations students with 10 immigrant urban youth, 5 co-facilitators, 2 days, Ochapawace School & MacKenzie Art Gallery, with Open Door Society (Regina), Ochapowace First Nation & Regina, Saskatchewan 2010 Cumberland House Art and Media Workshops, 35 Metis & First Nations participants and others, 3 co-facilitators, 4 days, Cumberland House, Saskatchewan
Pictures and Protests: Discussing the Tamil Diaspora Demonstrations: the archive, SAVAC, Univeristy of Toronto, Hart House 2007-09 Native Youth Art Workshops (NYAW), 173 participants, 2.5 years, 32 sessions, 14 guest artists, Kamloops Art Gallery & other locations in the Thompson-Nicola Regional District, B.C. 2007 Out of the Rain, Gallery Gachet, Vancouver (mentor for dtes artists facing multiple barriers, 3 workshops)
2001 desmedia workshop Regina, with SWAP-Street Workers Advocacy Project & Rainbow Youth Coalition (instructor/co-coordinator), desmedia collective, MacKenzie Art Gallery, Regina
2006 Alternator Gallery, Kelowna, B.C. (First Nation’s youth mentoring - video projects)
2000-05 desmedia workshops, weekly workshops @ Carnegie Community Center, Downtown Eastside Women’s Centre, Vancouver, &
1999 other places in the dtes (media collective founder, coordinator, instructor), desmedia collective, Vancouverprocess and construction of videomaking, Depot, Vienna, Austria
16 Video Activism, Pacifc Centre for Alternative Journalists, Vancouver 1998 Hungry Minds Think Alike, Künstlerhaus Bethanien, Berlin immigration/emmigration, Centre for Art Tapes, Halifax, Nova Scotia
1996 video process and production, Prim Centre d’Arts Médiatiques, Montréal
1995 Subjecthood/Objecthood: The Representation of Us, the ‘other’ and the Construction of Culture; situated here, there and in ‘The Lebanon’ between here and elsewhere, American Center, Paris
video process and production, FAVA/Metro Cinema, Edmonton, Alberta 1994 Linguistic Alibis + Representational Strategies, VIVO (Video In), VancouverLinguistic Alibis + Representational Strategies, UBC Okanagan, Kelowna, B.C. 1992 Beirut/NY/Berlin, Botschaft/Friseur e.V., Berlin (co-coordination/participating artist)
The Lebanon Project: year long media production and criticism workshops, Beirut, Lebanon. Teaching 2016 Ryerson University, School of Image Arts, Toronto: visiting artist Emily Carr University of Art & Design, Vancouver: visiting artist 2015 Internationale Sommerakademie für Bildende Kunst, Salzburg, Austria: Photography 2001 Emily Carr Institute of Art & Design, Vancouver; Installation Art
2000 Emily Carr Institute of Art & Design, Vancouver; Creative Processes
1992 The Lebanon Project, Beirut: year long media production & criticism workshops 1988 University of California, San Diego; The Structure of Art ( Teaching Assistantship) 1987 " The Structure of Art ( Teaching Assistantship), and Graduate Advisor (Tutor). " Films in a Social Context ( Teaching Assistantship), and History of Video (Tutor). 1986 " Introduction to Video I, II /Media & Intro to Photography ( Teaching Assistantships) 1985 " Introduction to Photography ( Teaching Assistantship) Studies 1988 Whitney Museum of American Art, Independent Study Program 1988 University of California, San Diego; MFA
1980 San Francisco Art Institute; BFA
1979 Banff Centre for the Arts; Photography Master Class 1978 Banff Centre for the Arts; Visual Arts Residency 1977 San Francisco Art Institute; Studio Program 1975 Banff School of Fine Arts; Drawing and Painting Curatorial Projects + Related Work
2016-17 thirstDays, 12 programs + 1 forum over 14 months with 25 curators I selected to curate over 100 artists under the overall theme of Love, Intimacy and (com)passion in a geopolitical context, VIVO Media Arts Centre (+ Native Education College & Oppeneimer Park), Vancouver, plus accompanying publication of end notes (160 pg book + 12 program notes brochures in a specially designed folder). Selected curators: Cease Wyss + Aaron Rice: Ceremonial Activism 101: The Gifting/Taiontenonhwera:ton (to give thanks), Jeneen Frei Njootli + Ashok Mathur: reMatriation and other ruminations, Denise Ryner + Tonel:Harbour/Haven, Irwin Oostindie + Ronnie Dean Harris: Cultural Resurgence: From This Point in Time & Space, David Khang + Phanuel Antwi: Against Rapture; or, Rupturing POC Relations, Urban Subjects (Sabine Bitter, Jeff Derksen, Helmut Webber): As You Live Here, Ali Lohan + Cecily Nicholson: “this park of great care”, Raymond Boisjoly + Jordan Wilson: SOWIDE SO LOW SO HIGH, Tannis Nielsen + Jenny Fraser: dying of thirst, Cathy Busby + Dima Alansari: Hands Across the Sky ايادي عبر السماء, Henry Tsang + Diyan Achjadi: Eat Rice Yet?, Elisa Ferrari + Stacey Ho: ooooszchhhhhht t shuffe klopp shshhhchglugluglushh; project writer in residence, Tarah Hogue. (project conception, curator, artist in residence & co- coordinator) 2016 rencontres improbables (the secret encounters of Kusama Khalthoum), 27 artists from 12 countries, Galerie Oqbo - raum für bild wort ton, Berlin; artists: Walaa Al Alawi, Tina-Maria Al Jabri, Samirah Alkassim, Nadim Asfar, Sonny Assu, Uriel Barthélémi, Dominique Lacloche + Thomas Bottini, Gaye Chan, New BC Indian Art and Welfare Society Collective [Tania Willard, Gabrielle Hill & Peter Morin], Anita Dube, Ayumi Goto, Stacey Ho, Henrik Plenge Jacobsen, Mireille Kassar, Amélie Legrand, Jeneen Frei Njootli, Bernadette Phan, Thi Tam Phan, Emilio Rojas, Jayce Salloum, Wilfred Sampson, Sumugan Sivanesan, Chris Turo, Jin-me Yoon, Lisa Schmidt-Colinet + Alexander Schmoeger, Vienna + Florian Zeyfang. (coordinator & co-curated with Mireille Kassar) the meandering line, with Wallas Gwy Yum/Beau Dick, Isabelle Pauwels, Bernadette Phan, Etienne Zack, Jeneen Frei Njootli, Mireille Kassar, Jayce Salloum & Matt Smith, Schneiderei Gallery, Vienna (co-curated with Bernadette Phan & Steven Tong) 2012 ReWorks Residency, Shingwauk Shingwauk Residential Schools Centre/Algoma University, Sault Ste. Marie 2009 Bell Award in Video Art, Canada Council, Ottawa (Jury Member) rockpaperscissors, exhibition with Hank Bull, Jack Jeffrey, Mireille Kassar, Ali Lohan, Bernadette Phan, Johnney Watts & Tania Willard, MKG127, Toronto (curator) WEAVE (Women Engaged in the Arts: Vision and Empowerment), Downtown Eastside Women’s Centre, Vancouver (advisory committee meeting) 2008 Creative Community Development: The dtes Community Arts Network (CAN), CAN Munch #12, 11/6/08G, allery Gachet , Vancouver (presenter/host/co-cordinator) 2007-09 NYAW (Native Youth Art Workshops), 173 participants, 14 guest artists, Kamloops Art Gallery & other locations in the
17 Thompson-Nicola Regional District, BC (initiator, lead artist, coordinator, co-facilitator)
Festival 50/104, Saskatchewan Filmpool Co-Operative, Regina, Saskatchewan (awards jury member)
The dtes Community Arts Network (CAN)C, AN Munch #7, 10/29/07, Firehall Arts Centre, Vancouver (presenter/co- cordinator)
dtes Community Arts Network (CAN/Community Arts Initiative (CAI), Downtown Eastside arts coalition, Vancouver (founding & current core member)
in/tangible cartographies: sliding life through narrow spaces forced into (cracks) where rivers would not (yet) fow: video program, UCLA Television and Film Archives, Los Angeles (Curator)
in/tangible cartographies: 33 videotapes, 23 artists, 10 hour program, catalogue; World Wide Video Festival, Amsterdam with tour to: Landesmuseum, Linz, Austria; Pacifc Film Archives, UC Berkeley; Pacifc Cinematheque, Vancouver; and Cinematheque Ontario, Toronto. (Curator)
Canada Council Bell Canada Award in Video Art (Jury Member)
History of Our Present: 17 flms/videotapes, 15 artists, 8 hr program (cat.); Argos Film & Video Festival, Brussels (Curator) Canada Council Governor General Awards in Visual and Media Arts, Ottawa (Jurror)
Digital Earth Foundation, Vancouver (Board Member)
Americas on the Verge – Society for Art and Culture, Vancouver (Board Member-ongoing)
Canada Council for the Arts Visual Arts Advisory Committee (Member)
Subjective Affnities/Out of Our Present, Centre for Art Tapes, Halifax, Nova Scotia: group video exhibition (curator)Video In,/Satellite Video Exchange, Vancouver: (Programming and Distribution Committees).
Canada Council Media Arts Annual Assistance for Presentation Programming Grants: (Peer Assessment Committee). " " Presentation, Circulation and Distribution Project Grants: (Peer Assessment Committee). " " Project Assistance to Production Organizations Grants: (Peer Assessment Committee).
East of Here..(re)imagining the ‘Orient’; group exhibition of 42 artists focusing on constructions/representations of the Middle East; 13 installations & 8 programs of video & 16mm flm screenings, 1 panel discussion & 50 page catalogue with 3 essays & complete descriptions, YYZ Artists’ Outlet, Toronto, Ontario: (Curator, Coordinator, Editor & Writer).
Update ’96: Houna wa Hounak (Here and Elsewhere); installation and flm/video/performance/ music exhibition with 20 international artists, part of Copenhagen ‘96, Turbine Halls, Copenhagen, Denmark: (Co-curator/Coordinator).
Nation & Imagination: New Perspectives on “Documentary” & the Middle East, Video In, Vancouver (curator).
Canada Council Media Arts Section Video Production Grants: (Peer Assessment Committee).
Beirut/Berlin/NY installation exhibition/symposium exchange program, (Coordinator).
Compilation Videotape Series from Lebanon (productions with 16 media artists), (Coordinator, Instructor, Producer).Exchange II; video and performance event at/with the San Francisco Art Institute & the University of California, San Diego; at SUSHI Gallery, San Diego & MEDIA, San Francisco, (Coordinator).
Mandeville Art Gallery, University of California, San Diego, La Jolla; (Exhibitions Committee Member).
Small Dogs; performance/video event at Sushi, Inc., San Diego (Coordinator).
U.C.S.D. Admissions Committee and Graduate/Faculty Committee (Representative).
Alternate Voices; U.C.S.D. and the La Jolla Museum of Contemporary Art, (Lecture series; Co-coordinator and Co-curator and Fundraiser/Grant writer).
Exchange show, U.C.S.D./San Francisco Art Institute performance and video event, (Co-coordinator).
Historicism: History of the Present, University of California, San Diego and the La Jolla Museum of Contemporary Art, (Lecture series; Coordinator, Co-curator and Fundraiser/Grant writer).
Issues of Censorship, A-Space: (Co-curator, Committee Project Member).
CEPA Gallery, Buffalo; (Western New York Grants Juror).
Charles Street Video: (Board Member).
A-Space, Toronto: (Member of the Exhibitions Committee responsible for curating and organization of exhibitions).
C.A.R.O., Canadian Artists Representation Ontario: (Board Member).
Toronto Documentary Photography Project: Exhibition of commissioned projects at Harbourfront produced in collaboration with the Toronto Photographers Workshop, catalogue co-sponsored by Photo Communique magazine and an Open Forum on Documentary Photography, (Conception, Co-curating and Coordination).
The Toronto Photographers Workshop: (Curatorial Committee Member).
Rampike magazine; (Contributing Editor).
Production/Reproduction; group exhibition and catalogue/bookwork, at A-Space, Toronto with subsequent tour to the MacKenzie Art Gallery, Regina, Canada, (Coordinator and Curator).
Unaffliated Artists; group exhibit of 17 artists, Toronto (Coordinator & Co-curator with Isaac Applebaum),
New Canadian Photography; National exhibition and catalogue of 18 artists at the Canadian Centre of Photography, Toronto, (Conception, Fundraising/Grant writing, Coordination and Curator).
Ontario College of Art; (Annual Arts Awards Juror). Books An Accented Cinema: Exilic and Diasporic Filmmaking, p 104, 116-117, 295, 304, 343 Hamid Nacify, Princeton University Press, 2001Analogue: Pioneering Video from the UK, Canada and Poland (1968-88), ed. Chris Meigh-Andrews and Catherine Elwes, EDAU, University of Central Lancashire, England, 2006
The Archive, Documents of Contemporary Art, ed. Charles Merewhether, p 185-193; sans titre/untitled: the video installation as an active archive, essay by Jayce Salloum, Whitechapel, London/The MIT Press, Cambridge, 2006
Bibliomania 2000/2001, pgs 489-495, editor Simon Morris, Information as Material, England
The Brain is the Screen: Deluze and the Philosophy of Cinema, p 193-213, Signs of the Time: Deluze, Peirce, and the Documentary Image, essay by Laura Marks, G. Flaxman ed., U. of Minnesota Press, 2000
Carnal Knowledge: Towards a 'New Materialism’ through the Arts, p 105-112, Moments of affection : Jayce Salloum's everything and nothing and the thresholds of testimonal video, by Ilona Hongisto, eds. Estelle Barrett & Barbara Bolt, I.B. Tauris, London, UK, 201318 2007 2002- 2001-02 2001, 02 2001 2000 1999 1999 1998 1997-8 1997 1996 1994 1992-95 1992-93 1988 1987 1986 1985 1983-85 1985 1982-84 1983 1982 Cinémas d'Avant-Garde, Nicole Brenez, Cahiers du Cinéma, SCÉRÉN-CNDP, Paris, 2006
Companion Encyclopedia of Middle Eastern and North African Film, ed. Oliver Leaman , 2001, Routledge (UK), 2001
The Concise Routledge Encyclopedia of the Documentary Film, p 675-676, ed. y Ian Aitken, Routledge (New York), 2012
Contemporary Art in Multicultural Education, ed. Susan Cahan, Zoya Kocur, Routledge (UK), 1996
Coyote and Raven Go Canoeing: Coming Home to the Village, Peter Cole, p 125, McGill-Queen's Press, Montréal/Kingston, 2006Cultivating Canada: Reconciliation through the Lens of Cultural Diversity, p 365-382, Engendering Audience Responsibility: The work of Jayce Salloum “in affnity with” by Jen Budney, ed. Ashok Mathur, Aboriginal Healing Foundation, Ottawa, 2011
Damp: Contemporary Vancouver Media Art, p 70-76; Swimming Upstream/Fragments from a Conversation, with Cease Wyss, ed. Oliver Hockenhull & Alex Mackenzie, Anvil Press, Vancouver, 2008
Dekonstruktion & Video, Film Laden Kassel, e.V., Germany, 1994
From the Warring Factions, Ammiel Alcalay, p 161, Beyond Baroque Books, Venice, California, 2002
Hanan al-Cinema, Affections For The Moving Image, by Laura U. Marks, p 1, 13, 16-17, 60-63, The MIT Press, Cambridge & London, 2015the heart that has no love/pain/generosity is not a heart, ed. Haema Sivanesan, essays by Haema Sivanesan, Paula Abood, Kathy Gannon, South Asian Visual Arts Centre, Toronto, 2010
Image and Inscription: An Anthology of Contemporary Canadian Photography, ed. Robert Bean, Jayce Salloum: Archive of the Street, essay by Jim Drobnick & Jennifer Fisher, p 166-179, YYZ Books/Gallery 44, Toronto, 2005
Jayce Salloum: history of the present: texts by Ammiel Alcalay, Jen Budney, Dana Claxton, Rawi Hage, Jamelie Hassan, Ali Lohan, Irene Loughlin & Bernadette Phan, Meeka Morgan, Walid Raad, Haema Sivanesan, Urban Subjects, and Keith Wallace, ed. Jen Budney, Mendel Art Gallery/Kamloops Art Gallery/Confederation Art Centre, 2009 Le cinéma critique. De l’argentique au numérique, voies et formes de l’objection visuelle (Critical Cinema. From silver emulsion to digital, methods and forms of visual resistance): Activating Culture (Activer la culture) by Jayce Salloum, p 65-69, edited by Nicole Brenez & Bidhan Jacobs, Publications de la Sorbonne, Paris, 2010 Live Like This!: Artistic Cultural Practices in the Realm of Collectives, Politics, and Resistance, Bitter/Webber et al, p 172-186, Edition Camera Austria, Graz, 2005 The Militant Image Reader: secret agents.. working in/out of untitled photographs: location/dis-location(s): gleaning spaces by Jayce Salloum, p 29-38, ed. Urban Subjects, Edition Camera Austria, Graz, 2015 Memories of Our Future, Ammiel Alcalay, p 15 & 128, City Lights Books, San Francisco, 1999
Performing Utopias in the Contemporary Americas, ed. Kim Beauchesne & Alessandra Santos, tangible cartographies: surviving the colonial/welcome to my house, by Jayce Salloum & Manuel Pina, p 43-69, Palgrave Macmillan, NYC, 2017
Photography in Canada 1960-2000, Andrea Kunard, p 136-137, Canadian Photography Institute/National Gallery of Canada, Ottawa, 2017Practical Dreamers: Conversations with Movie Artists, ed. Mike Hoolboom, p 185-292, Coach House Books, Toronto, 2008
Projecting Migration: Transcultural Documentary Practice, Alan Grossman & Áine Obrien eds; sans titre/untitled: the video installation as an active archive, essay by Jayce Salloum, p 164-182, Wallfower Press, London & Columbia University Press, New York, 2007Safar/Voyage: Contemporary Works by Arab, Iranian, and Turkish Artists; (sites+) demarcations.. by Jayce Salloum, p 53-59, ed. Fereshteh Daftari & Jill Baird, Douglas & MacIntyre/Museum of Anthropology, Vancouver, 2013
Semiotext(e) Canadas: ruin; unnecessary illusions, p 231, 313-314, Semiotext(e) #17, Volume VI, Issue 2, edited by Jordan Zinovich, Semiotext(e), New York and Marginal Editions, Peterborough, 1994
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, p 4, 25, ,37, 57-9, 65, 68-9, 109, 134-5, 232, Laura Marks, Duke University Press, Durham NC/London, 2000
Unthinking Eurocentrism, Esthetics of Resistance, Ella Shohat & Robert Stam, p 330, 331, Routledge Press, NYC/London, 1994
What Does the Image Stand For, ed. Ami Barak, p 100-103, Momenta|Biennale De L’Image, Montréal/Kerber Verlag, Bielefeld/Berlin, 2017Witnessing Unititled, Christopher Harker, The University of British Columbia, Vancouver, 2004
Zones of Contact 2006 Biennale of Sydney: A Critical Reader, Natasha Bullock & Reuben Keehan ed; Making Contact, by Emma Bugden, p 23; The Contact Zone: Thoughts of the 2006 Biennale of Sydney, by Jacqueline Milner, p 28, 31, 32, 34, Artspace, Sydney, 2006 Catalogues A Better Place, beyond utopia: today's search for a better place, Timothy Long, p 8 – 17 & 34 – 35, MacKenzie Art Gallery, Regina, Saskatchewan, 2001 Again and Again - MKG127: The frst Ten Years, texts by Robert Enright & Michael Klein, Sky Glabush, Dan Adler, Christina Richie, Dave Dyment, MKG127 Gallery, Toronto, 2017 Alternate Photography; YYZ Artists’ Outlet, 1983, Toronto, Ontario, curated/essay by Richard Rhodes, p 3-8 & 21-24
Argos Festival, History of our present: new arab flm and video, p 62 - 105, essay by Jayce Salloum, Brussels, 2001
Documenta X, Beware! In playing the phantom you become one, Kassel/Centre Pompidou, Paris, ed. by J. Grimonprez & H. Asselberghs
15th Biennale of Sydney, Zones of Contact: ‘Taking Place: Acts of Survival for a Time to Come’, Charles Merewether p 45-60; ‘Jayce Salloum’, Jen Budney p 244-247, 2006, Sydney, Australia
8th Bienal de la Habana: “El arte con la vida”, Centro de Arte Contemporáneo Wilfredo Lam, Havana, Cuba, 2003
Book Art-Bookworks-Book Objects; Formular Press, Denmark (+ touring exhibition), 1984
Chromaliving; Chromazone, Toronto, Ontario, curated/coordinated by Chromazone, essay by Jennifer Oille
Cinematexas Film Festival, Austin, Texas, 2003
Decade; The Music Gallery Toronto, Ontario
Dekonstruktion & Video, Film Laden Kassel, e.V., Germany, 1994
Desmontaje, Valencia Institute of Modern Art, Valencia Generalitat, Spain, 1993
Dénounciation, Mobile Matière/GNAC-La Différence, ELA, Darnetal/Paris, 1991
Discord: Sabotage of Realities (Un-Frieden: Sabotage Von Wirklichkeiten), p 78-9, Jayce Salloum, Kunstverein & Kunsthaus, Hamburg, ed Ute Vorkoeper & Inke Arns, 1997
The Disasters of War: From Goya to Golub, Erza & Cecile Zilkha Gallery, Wesleyan Univ, Middletown, CT, ed Nina Felshin
..east of here.. (re)imagining the ‘orient’, YYZ, Toronto, 1996, texts by Marwan Hassan; (Re)imagining the orient, Walid Ra'ad p 4 -6; Email to JS, Jennifer Kawaja p 7-8; Finding Maps in Apricots, Laura Marks p 10-15; ..east of here.. (upon arrival), Jayce Salloum p 4-6
19 Edges of Diversity, Alternator Gallery for Contemporary Art, “A smiling girl wraps up a promise to hide it in the despair...” essay by Haema Sivanesan, p 9 - 15, Kelowna, Canada,2008 Exchange; San Diego State University/University of California, San Diego
Fishing for Documents, Botschaft & Babylon e.V., Berlin, Germany
In Spite of it All, essay by Hoor Al-Qasimi, Sharjah Art Foundation, 2012Internationales Leipziger Festival Für Dokumentar & Animationsflm, 1993, GermanyInfermental #8; Media Mix & Systems Inc., Tokyo, Japan Issues of Censorship; A-Space, Toronto, Canada, curated by A-Space Exhibitions Committee
Jayce Salloum: Making Pictures Work, by Keith Wallace, CSA Space & grunt gallery, Vancouver, 2013
Konverzacija, Museum of Contemporary Art, essays by Branislava Andelkovic, Branislav Dimitrijevic & Dejan Stretenovic, Belgrade, 2001
Kültüre: ein Gender-Projekt aus Istanbul, Shedhalle, Zurich, 1997
Le Souci du Document, Le Mois de la Photo a Montréal, Vox, Centre de la Photographie, 1999
Le Mois de la Photo, Maintenant/Now: Images of Present Time, Montréal, ed. Vincent Lavoie, 2003
New California Video, Long Beach Museum of Art, California, curated by Michael Nash
New Canadian Photography; The Canadian Centre of Photography/Image Nation, essays by Jayce Salloum & David HylnskyNew Langton Arts 1987, San Francisco, California
MoneyNations: Constructing the Border – Constructing East – West: Eurovision 2000: New Europe, p 79, ed. Marion von Osten & Peter Spillmann, Kunsthalle Exnergasse, Vienna & Shedhalle Zurich, Edition Selene, Vienna, 2003
Parallel Biographies: curators Sabine Bitter & Ruth Horak, Audain Gallery, Simon Fraser University (Vancouver), Fotohof Edition, Salzburg, Austria, 2013
Paisatges Després de la Batalla, Vídeo Monocanal, p 81, Centre d’Art la Panera, Lleida, Spain, 2004
Prends Garde!, Á Jouer Au Fantome, On Le Devient; Museum van Hedendaagse Kunst, Gent, Belgium, 1995, curated by J. GrimonprezProduction/Reproduction; A-Space, Toronto, Canada, curated by Jayce Salloum
P.S.1., Museum, National & International, Studio Program, 1990-91, ICA, New York
Retina ‘95, IV International Film & Video Festival, Szigetvár, Hungary
Rhonda Weppler: Thin + Jayce Salloum: Everything and Nothing, YYZ, Toronto, essay by Marwan Hassan, 2002
Sharjah Biennial 7, Belonging, curated by Jack Persekian, Untitled, Jayce Salloum p 374-377, United Arab Emirates, 2005
Still Life, Triumphant Carrot: The Persistence of Still Life, essay by Jenifer Papararo p 13-29, images p 33, 68-69 Contemporary Art Gallery, Vancouver, 2010
Synopsis 3 – Testimonies Between Fiction and Reality, National Museum of Contemporary Art, ed Anna Kafetsi, Occupied Territories; Mapping the Transgressions of Cultural Terrain (revised), Jayce Salloum and Molly Hankwitz, p 163-182, Athens, Greece, 2003Territory; Territorial Imperatives by Helga Pakasaar p 10-13, & Jayce Salloum by Jordan Strom p 46-47, Artspeak and Presentation House, Vancouver, 2009
The 1990’s – Jayce Salloum: کان ها پا کان There Was and There Was Not (refux/fragments); essays by Octavian Esanu, Molly Hankwitz, Jayce Salloum, AUB Art Gallery, American University of Beirut, Lebanon
The Toronto Documentary Photography Project; Photo-Communique/TPW
The Urban Landscape, McIntosh Gallery, University of Western Ontario, Canada
The Video Medium: 1988, Geoffrey Taber Gallery, Columbus, Ohio
The Lands Within Me: Expressions by Canadian Artists of Arab Origin; Packing Light, Laura Marks p 24-28, Canadian Museum of Civilization, Hull, 2003
There Was and There Was Not (Kan ya ma Kan); ..this is not Beirut.. an interview/essay with Jayce Salloum and François Dion; On Jayce Salloum's 'There Was and There Was Not', Walid Ra’ad; and Molly Hankwitz, Optica, un centre en art contemporain, Montréal, 1996thirstDays - end notes, 160 pg book + 12 program notes brochures in a specially designed folder under the overall theme of Love, Intimacy and (com)passion in a geopolitical context, essays by Tarah Hogue, Elisa Ferrari & Jayce Salloum. “quenching thirst, intermittent slaking and continues desire, p. 73-93, VIVO Media Arts Centre, Vancouver, 2018
untitled 1988-1999, essays by Jim Drobnick, Jennifer Fisher, and Keith Wallace, Contemporary Art Gallery, Vancouver & the Agnes Etherington Art Centre, Queen’s University, Kingston, 1998 everything and nothing and other works from the ongoing video installation, 'untitled', 1999-2004; TRIANGULATION: Three Points Made Plane in the Art of Jayce Salloum, Trevor Boddy p 8-15, and beauty never ends.., Mireille Kassar p 2-7, Western Front, Vancouver, 2004 Update ‘96; Houna wa Hounak (Here and Elsewhere); Copenhagen, Denmark, essay by Moukhtar Kocache & Jayce Salloum
Uprising: Videotapes on the Palestinian Resistance, Artists Space, New York, curated by Elia Suleiman and Dan Walworth
Video Archives, Art Metropole, Toronto
Video, edited by Dirk Lebahn, Knut Bayer, Martin Figura and Ulrich Kühn, "Stupid pleasures...", Jayce Salloum, p 10-11; Muqaddimah Li- Nihayat Jidal, Ammiel Alcalay, p 12; Jayce Salloum, table of contents, p13, Shin-Shin Galerie - Ausstellungsraum Berlin, 1991Vidéos Europa, Lille 3000, Le Fresnoy, Studio national des arts contemporains, Tourcoing, France
Video Musica Television, Institute de Estudios Norteamericanos, Barcelona, Spain
Violent Persuasions: The Politics & Imagery of Terrorism, D. Brown/R. Merrill, Bay Press, 1993 What Moves Us, ‘Moving Images, Bodies, Territories’, Liz Park p 8-31, ‘A Knife Under the Table’, Alissa Firth-Eagland p 5-7, Western Front Media Arts, Vancouver, 2009 World Wide Video Festival, curated by Tom Van Vliet, Den Haag & Amsterdam, Netherlands: 3rd edition, .In the absence of heroes.., 1984; 5th edition, The Ascent of Man: Parts 1 & 2, Pim Oxener, p 97, 1986; 6th edition, The Ascent of Man: Parts 1, 2, & 3, Erik Quint, 1987; 7thedition, Episode 1: So. Cal., Sonja van der Burg, p 81, 1988; 8th edition, Once you've shot the gun you can't stop the bullet, 1989; 9th edition,Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument) Speaking for oneself .../Speaking for others..., Henny Kamphuizen, 1990; 10th edition, Articles of Faith - Lebanon: Relations + Recuperation, André Nientied, 1992; 11th edition, Muqaddimah Li-Nihayat Jidal.., in program Demontage: Film, Video/Appropriation, Recycling, curated by Corrine Diserens, 1993; 12th edition, This is Not Beirut/ (Kan Ya Ma Kan) There was and there was not, André Nientied, 1994; 18th edition, beauty and the east-installation, Nathalie Zonnenberg, p 386-93, 2000; 19th edition, program curated by Jayce Salloum, everything and nothing, Marianne Brouwer, in/tangible cartographies: new arab video, p 278-79, Jayce Salloum, p 355-417, 2001 Zugewinn Gemeinschaft - Werkleitz Biennale,Werkleitz Gesellschaft, Werkleitz & Tornitz, Germany, 200220 Selected Reviews/Periodicals Afterimage, Rochester, Culture Without a Country, by Ammiel Alcalay, 5/90; 11/91; Witness and Archive in Ravett and Salloum: Prolegomenon to Any Future Documentary, by Bernard Roddy, Vol 39, No 4, p 10-13, Jan/Feb ‘12 Aishti, Art for the dispossessed, by Kirsten Vance, p 170-173, No. 52 Feb/March 2011, Beirut
Al Jadid, Los Angeles, Subject and Process in De-Stereotyping Views of Middle East, Jayce Salloum & Molly Hankwitz, Vol. 3, #18, 5/97 Al Maghrib, Paris, 9/16/90
Al-Fajr, Jerusalem/Washington: 11/26/91
Al-Hayat, London/Beirut: 8/18/92
Al-Yom Assabeh, Paris, 9/10/90, 10/22/90
An Nahar, Beirut, The Camera Moves Around the Demonstration of the Subject and Its Other: Who is the Acute Viewer? (the Camera or the Filmmaker), by Georges Khady, 7/3/95
Andere Sinema, Brussels, Text In Context/Over Arabische Kwesties En Westerse Media-Mythen, P. Willemsen, 128 (7/95), pgs 17-20
Art in America, New York, “Report from Sydney; Remapping the Art World”, by Lilly Wei, 3/1/07, pg 62
Art Papers, Jayce Salloum, Molly Hankwitz, May & June 1995, Atlanta
Art Press, Paris, France, #222, 3/97
Artlink, Adelaide, Australia, reciprocity, collaboration, exchange, by Haema Sivanesan, vol 29 #2, p 18 – 22, 6/09
Artpulse, Jayce Salloum: Untitled Videotape, by Anneke Jaspers, 9/10/10, Miami
Artweek, San Francisco, An Anxious Space, by Michael McManus, 4/25/87; Muqaddimah Li-Nihayat Jidal, by Tony Reveaux, 3/7/91 Artword, Toronto, Winter 1995
BlackFlash, Saskatoon: (taken from) location/dis-locations: contingent promises, Jayce Salloum, p 19-30, Vol. 30, Sept.-Dec. 2013; responding to and refecting on thirstDays, by Tarah Hogue, p 52-60, Vol. 34, Spring 2017
Bref, Celles qui ne renoncent pas, by Marc Mercier, p 65-66, No. 56, Paris, Spring 2003
Broadsheet, untitled, jayce salloum, by Geraldene Peters, p 140-143, vol 37, no 2, June 2008, Adelaide, Australia
Buffalo News, 5/27/83
C Magazine, Toronto, Relentless Verities, Summer 1985, p 28-29, #6; Fall 1985 #7; #8; #9
Camera Obscura, What is That and between Arab Women and Video? The Case of Beirut, Laura U. Marks, Vol. 18, No. 3, p 40-69, 2003 Canadian Art, Toronto, untitled part 1; pg. 38, Fall 2002; Terrorvision, Allan Antliff, p 147, Fall 2004; Jayce Salloum: Reclamation Artist, by Deborah Campbell, p 118-123, Fall 2010
Capital News, Kelowna: Showcase of indigenous art, by Glenna Turnbull, 6/11/08; New screening for WFN video, by M. Jones, 7/3/05; Censorship dispute put to rest, by M. Jones, 6/19/05; Centennial video controversy looks like self-promotion for artist, by G. Grisenthwaite, 5/13/05; Censorship call to arms for artists, 5/11/05; City hall feeling burned by artist, by S. Nicholl, 5/11/05; City says acceptance, not censorship is in question & Message shouldn't be unexpected, by M. Jones, 5/8/05; Censorship fnger pointed at city hall & Local Gallery snubs city’s view of video, by Marshall Jones, 5/6/05 Christian Science Monitor, Window on the World: Human Rights Film Festival Opens, David Sterritt, 5/10/91
Cinébulles, Montréal, De la réalité des images aux images de la réalité, by Monique Langlois, Vol.15 #4 winter '97, pg 36-37
Clash: Confict And Its Consequences, Photography and Confict: Witness, Remembrance, History, Testimony, by Andrea Kunard, National Gallery of Canada, Ottawa, 2013
Colorado Daily, Vol. 96 #26, 2/12/88
Column 6, The art of listening, by Paula Abood, p 29-33; The success of this interview wil rest with how you question me: Te Miringa Hohaia talks to Jayce Salloum, by Blair French, p 34-38; edited by Reuben Keehan & Melanie Oliver, Artspace, Sydney, Dec. 2010 Connaissance Des Arts: L’Histoire au Présent Selon Jayce Salloum, p 34, #702, Paris, March 2012
Contact Sheet, Lightwork, Syracuse, NY, #54
Currents, Kamloops Daily News, Native Art & Soul, by Susan Buis, p 24-26, Aug/Sept 2009, Vol 2, #6, Kamloops Daily Bruin, Arab videos aim to incite new thought, Los Angles, 11/14/02 Daily Californian, Arts California, Dennis Harvey, Berkeley 8/29/90
The Daily News, Kamloops: Worlds Within, by Mike Youds, 10/23/09
The Daily Star, Beirut: Sharjah biennial: Wild card of culture in Arab world, by Kaelen Wilson-Goldie, 4/13/05; The resistance(s) that is creative, by Jim Quilty, 8/28/06
The Daily Yomiuri, Tokyo, Japan: 6/21/85
Dear: Letters Home, New York, NY, Fall ‘92
Die Tageszeitung, Berlin, 10/15/93, 12/24/96, 8/20/98; Der nicht mehr einwandfreie Bilderfuß, by Harald Fricke, 5/5/95; Fliehen, kämpfen, untertauchen. Bilder aus der Ferne und Nähe, by Harald Fricke, 6/1/95; Abgesenkter Klassifkationsdrang, by Harald Fricke, 6/20/95 Documents: Up to the South ...excerpts, Spring ‘94, pgs 158-161, New York
Escondido Times-Advocate, 11/11/87
Felix: Occupied Territories; Mapping the Transgressions of Cultural Terrain, w/M Hankwitz, Vol 2, No 1, pgs 113-122, 315-319, 1995, New York
Fillip; sans titre/untitles: the video installation as an active archive, Jayce Salloum, p 1, 4 & 5, Vol. 1, #1, 2005; Re: Documentary Practices, Fionn Meade & Jayce Salloum, p 103-110, #10, Fall 2009; Producing Images in Times of War, Haema Sivanesan, p 92-99, #13, Spring 2011; Up to the South ...excerpts, Jayce Salloum & Walid Ra’ad, p 142-145, #17, Fall 2012; Projectile Publishing, Vancouver
The Final Unsound, Vol. 3 #7
Framework: Occupied Territories; Mapping the Transgressions of Cultural Terrain (revised), Jayce Salloum and Molly Hankwitz, p 85-103, Vol 43, No. 2, Wayne State University Press, Detroit, Fall 2002; The language of terrorism, Laura Marks, London, UK, p 64-73, no. 38/39, 1992 Front Magazine, Vancouver: Kan Ya Ma Kan, There was and there was not, by Molly Hankwitz, Vol. 6, No. 4, April 1995; Occupied Territories, with Molly Hankwitz, Vol. 12, Nov. 2001; Witnessing Encounters, Chris Harker, p 12-15, Vol. 15, No. 3, May/June 2004; The Presence of Absence, Jayce Salloum, p 12-17, Vol. 19, No. 5, Nov./Dec. 2008
Fuse Magazine, Toronto: “everything and nothing”, or art and the politics of “war”, Vol 24-4, 12/01; Of Arabs, Museums and Civilizations, Rawi Hage, p 24- 27, Vol 25-1, 3/02; Citizen Salloum, Laura Marks, Vol 26-3, 9/03; “Politics in Aspic: Refections on the Biennale of Sydney and its local effects”, Jen Budney, Vol 30-1, 1/07; Materializing Meanings: Jayce Salloum’s ‘history of the present (selected works 1985-2009), 21 Portia Priegert, p 38-40, Vol 33-2, 4/10; Occupied Spaces, Here and There: Jayce Salloum, history of the present (1985-2009), Bart Gazzola, p 36-37, Vol 35-2, Spring 2012
Galleries West, Calgary: Khadim Ali and Jayce Salloum, by Portia Priegert, Fall/Winter 2008, 10/08
Georgia Straight, Vancouver: Filmmaker brings First Nations voices to front, by Mark Harris, 6/7/07; Territory maps urban experience, by Robin Laurence, 7/20/06; Censored or Commissioned, by Pieta Wooley, 5/12/05; 7/31/97; 3/8/01
Harpers: The End of the Nation State, November, 1996, New York:
Helsingin Sanomat, Helsinki 4/24/91
Het Financieele Dagblad, Arab flms take festival centre stage, Mike Cooper, Amsterdam, Netherlands, Oct. 13/01
Hour, Montréal: Tumbling down, Lucinda Catchlove, p 29, 11/21/96; Crossing the Distance, Isa Tousignant, 9/25/03; Year in Review, by Isa Tousignant, 12/18/03
Image Nation, #23, The Manipulated Photograph, Toronto
Impressions, Postcards by Artists, p 39, #22/23, Toronto
Independent Media Magazine, London, 12/90
Kelowna Daily Courier & Event supplement: Portrait of persecution, by Portia Priegert, 6/26/08; Art committee, gallery to meet over video dispute, 5/10/05; Film had ‘powerful, positive effect on me’, by A. Marchinko, 5/9/05; City accused of censorship; 5/5/05; Videos an Eclectic Mix of Topics, by Portia Priegert, 5/4/05; Visual artist challenges boundaries, by Portia Priegert, 3/9/05; 8/18, 8/19/93; 7/31/89;
L.A. Weekly, 2/24/89
La Presse, Montréal, L’actualité autrement, by Jérome Delgado, 9/28/03; Jayce Salloum: Photographe de la conscience, byÉric Clément, p 2 Arts, 9/9/17
La Provence, Des artistes de Vancouver se dévoilent, Marseille, France, 10/24/13
Le Devoir, Montreal, Les Détournements de l’espace, by Bernard Lamarche, 16/11/96; L’esclavagisme culturel, by Daniel Carrière, 11/13/91; Blessure de guerre, by Daniel Carrière, 1/11/92
Le Droit, Ottawa, 9/25/99 by Eve Dumas
L'Express, Toronto 4/3/84
L’Express du Pacifque, Vancouver, Downtown Eastside: la ruéé vers l’art, p 5, 10/10/05 by Cécile Lepage
Le Journal des Arts, Paris: Témoignage: Jayce Salloum, sujet de l’histoire, Christophe Domino, No. 362, 2/3-16/12 Liberation, Paris 9/3/90 Lola, What Now?, #11, Winter 2001/2002, Toronto, p 19
London Free Press, 10/17/81
Los Angeles Times: 11/27/87; 1/15/92; In the Absence of Heroes, by Leah Goldman, 9/4/87; Insights and Images, Cathy Curtis, 4/2/92; Middle East stories from those who know the territory, Lynne Smith, 11/16/02 Lubnan Tisa’een , Beirut, Lebanon, 7/92,
MacLean's, 10/82
Mainichi Daily News, Japan, 5/27/85 Megaphone, Issue 153, p 12-14, Jayce Salloum on The Most Radical Act of Making Art, by David P. Ball, April 25, 2014,
Megaphone, Issue 181, p 24-27, Thirsting for Art, thirstDays aims to inspire diverse artistic expressions every month for a year, by Brit Bachmann, March 1, 2016
Midcontinental, Vol. 3 #2, Winnipeg, Manitoba.
Mix, V28.3, Winter 2003, Toronto, p 22 & 23, ‘(as if) beauty never ends..’ [artist’s project]
MOMA (Monatsmagazin für Neue Politik), Zürich, Nr.5-95
Montréal Gazette, 10/20/01
Montréal Mirror, 1/9/92
The Morning Star: City irons out differences with gallery, from Kelowna Capital News, 6/22/05;
Mesa Bulletin, New York, Up to the South: Lubnan - Talaeen a Junnub, by Akram Fouad Khater, #29, 1995
MUSE, Pieces of the Worlds: The Photography of Jayce Salloum, by Keith Wallace, Canadian Museums Association, Ottawa, p 38-45, 7-8/2016 vol. XXXV/4, 2016
National Post, Spiritual Cinema, by Leah Sandals, 4/10/10
New York Times, 9/9/92; The elusive spirit of Lebanon, Holland Carter, 6/28/96, p C34
New Zürich Zeitung, Switzerland, 6/8/95
Now, Toronto, Vol. 1 #28, 29, 40; Reorienting Policy, by Cameron Bailey, Vol. 2 #39, 12/5/96; Reality Check, by Sheila Heti, Vol. 22 #8, 10/24/02
Off Centre, magazine, Kelowna: No Muddy Water at the Oasis, by G. Pearson, Vol. 6, #6, 6/05;
The Okanagan: Spat settled over ‘censored’ video project, by S. MacNaull, 6/18/05; Talks continue in dispute over centennial video, 5/15/05; Examine Salloum’s message, by D. Elzer, 5/14/05; Where’s our reputation for tolerance, freedom?, by G. Pearson, 5/14/05; Artistic freedom comes at a cost, by John Harding, 5/8/05;
Okanagan Life, magazine: Should Publicly Displayed Art be Covered or Cancelled?, 9/05;
Ottawa Citizen: Arab show gets off to rough start, p B3, Oct. 19/01, Paul Gessell; Salloum is back without the fuss, Paul Gessell, p F1 & F10, June 27/03; Making Connections, Peter Simpson, March 28/14
Ottawa Xxpress, Just the Facts?, by Molly Amoli K. Shinhat, 2000
Parachute: Jan. ’83; Jan. ‘98 (# 93); Dec. ’02 (#108) Beyrouth_Beirut, pgs. 164-176, The Location of Lebanon: Portraits & Places in the Videography of Jayce Salloum, by Michael Allen, Montréal Parallelogramme, Vol. 9 #1, Vol. 10 #4 & 5, Vol. 17 #1
Photo Metro, San Francisco, Vol. 5 #4
Photo-Communique, Summer 1981, Winter 81/82, Fall 84 (Cover) Photopipeline, 22, 1985 Politiken, Copenhagen, Denmark, 4/22/95 by Peter M. Hornung
Progres-Dimanche, Jonquiere, Canada: 5/18/86
Planet S: News You Need, Jayce Salloum: History of the Present, Bart Gazzola, 11/3-16/11, Vol. 10 Issue 5, Saskatoon
Prefx Photo, Selections from Location/Dis-location(s) 2000-07, p 56-61, No. 19, May 2009; Jayce Salloum: history of the present (selected works 1985-2009) by Jim Drobnick, p 88, No. 21, June 2010; Prefx Institute of Contemporary Art, Toronto
Public Culture: Controversies, (sites +) demarcations.., making pictures in Lebanon, p cover & 2 - 10, Fall 1995, Vol. 8, No. 1, Society for 22 Transnational Cultural Studies, Chicago
Public 16, Entangled Territories: Imagining the Orient: pgs 6-9, A Note from Ankara and Beirut, Walid Ra’ad & Deborah Root; p 99-120, There was and there was not, by Jayce Salloum; Toronto, summer, 1997, ed; Walid Ra’ad & Deborah Root Rampike, Vol. #1, 3, Vol. 4 #1, Vol. 5, #1, Toronto
San Diego Union, 8/20/87
San Francisco Bay Guardian, 10/6/93, 3/1/95; Stereotypes In the Sand, Jill Hamburg, 8/22/90, p 36 San Francisco Examiner, 8/29/90, 2/24/95 San Francisco Jewish Bulletin, Palestinian flm defes media norms at truth’s expense, by Nancy Steidtmann, 9/28/90
San Marcos Times-Advocate, 11/10/87
Screen, Projecting Migration: Transcultural Documentary Practice, by Philippa Lovatt, 49:4, Winter 2008, Oxford University Press, England See, Edmonton, #74-4/6/95
Semiotext(e) Canadas: ruin; unnecessary illusions, p 231, 313-314, Semiotext(e) #17, Volume VI, Issue 2, edited by Jordan Zinovich, Semiotext(e), New York and Marginal Editions, Peterborough, 1994
Sohbet – Journal of Contemporary Arts & Culture, Bamiyan Notes: An Alternative Perspective on the War in Afghanistan, Haema Sivanesan, No 02, p 52-62, National College of Arts & oneninetwo, Lahore, Pakistan, 2011
Spits, Amsterdam, All Art is Full of Politics, by Coromandel Brombacher, 10/18/01
The Star Phoenix, Saskatoon: Mendel puts spotlight on controversial artist, by Jeanette Stewart, 9/28/11
SuperUmbau - Newspaper for the Passionate Urbanist, Spring '97, pgs 10, 11, New York
The Capilano Review: Eye to Eye, edited by Stacey Ho & Anahita Jamali Rad, #15; thirstDays: “love, intimacy + compassion” in diffcult times, Elisa Ferrari, Tarah Hogue & Jayce Salloum, p 68-78, Issue #3.33, Fall 2017, Vancouver
The Globe and Mail, Toronto: A Clear Case of Photographer as Camera, Gary Michael Dault, 4/9/82; 5/14, 9/3, 11, 17/82; 10/20, 22, 11/26/83; 1/10/85; Museum shelves Arab show, Ray Conlogue, p A5, 9/26/01; Museum reconsiders plan to delay Arab show, Daniel Leblanc, p A7, 9/28/01; 10/22/01; A trip to a traumatized Afghan valley, James Bradshaw, p R4, 4/3/10; What has digital done to the arts photographer?, Maryam Siddiqi, 4/22/16 The Independent, New York, 6/90; 10/87; The Big Picture, by Chris Hoover, 1-2/91
The Province, Vancouver, Second-hand rows reveal love of kitsch, Art Perry, 8/6/85
Third Text, London: in/tangible cartographies: new arab video, by Jayce Salloum, p 27-31 & Nothing New Under the Western Sun, by Michèle Cohan Hadria, Vol. 19, Issue 1, Jan. 2005 pgs. 33-43
Toronto Life, 10/1/82
Toronto Star: Photos document Lebanon’s hybrid culture, by C. Hume, 12/24/94; 9/4/82, 9/25/82, 12/31/82; 2/5/83, 12/22/85 TPW Views, Toronto, 11/87, 9/90, 5/90, 5/91
Trouw, Amsterdam: Videos As Antidote, by Hans Nauta, 10/13/01
Umbrella, 1/84
Vancouver Sun: Controversy dogs flmmaker’s choices, Kevin Griffn, p D13, 6/14/07; Inserting Centre A in Location B not easy, Clint Burnham, 9/15/05; Scattered and Sublime, Clint Burnham, 11/26/05; 9/11 boosts impact of Arab flms gathered by artist, Katherine Monk, p D4, 9/5/02; B.C. artist’s Arab exhibit at centre of controversy, Paul Gessell and Stephen Thorne, 10/19/01; ‘A complex and successful piece of media art’, Trevor Boddy, 10/19/01; Lebanon images link past with present, Robin Laurence, p D7, 4/15/95; Modern images of mythology,Eve Johnson, 7/26/85 Vanguard, Vancouver: Fall 82, Summer 83; The Ascent of Man, Gilbert Turp, p 32, Summer 1988; Precarious Acquiescence, Cheryl Simon, February 1984 Verb, Saskatoon, Taliban Destruction Depicted At Kenderdine, by Meagen Thomas, #129, March 4-10, 2011
Vertigo, London: Everything & Nothing and Other Works From the Ongoing Project, untitled, 1988-2005, by Jayce Salloum, Vol 2, No. 9, Autumn/Winter 05, pgs 50-51; Overviewed: The Precarious Life of the Palestinian Image-Refections in the Wake of Gaza, by Nick Denes, Vol.4 No.3 – Spring/Summer ‘09
Village Voice, New York, 6/9/96
Voir, Montréal: Jayce Salloum, Stéphane Aquin, p 53, 11/21/96; Vie des Hauts, by Eric Fourlanty, 1/9/92
Voir, Ottawa: Bras long, manches retroussées, by Suzanne Richard, 8/0/03
West Coast Line #64, vol 43, no 4, Spring/Summer 2010, orientalism & ephemera, edited by Jamelie Hassan, interrupting >/< orientalism: denying the trajectory, p 112-123; #74, vol 46 no 2, Summer 2012, Reconcile This!, edited by Jonathan Dewar and Ayumi Goto, Risky Business, by Meeka Morgan, Karine Ng & Jayce Salloum, p 148-161; Vancouver
The Whig-Standard, 5/13/82
WhiteWalls, Making Pictures in Lebanon, Number 37, Summer, 1996, p 85-93, Chicago Whitney Museum of American Art, Independent Study Program, New York, 1988-1989 Who’s Who in American Art 1995-96, R.R. Bowker, NJ. Who’s Who in International Art 1998-99, Lausanne, Switzerland
Witnessing Unititled, Christopher Harker, The University of British Columbia, Vancouver, 2004 Xtra, Toronto, Ontario, 12/5/96
YLEM, No.2, Vol. 21, Jan/Feb 2001, San Francisco
Zitty, Berlin, Germany, 6/1/95, 8/17/98 DVD Compilations/CDs:
Resistance(s), Experimemtal Films from the Middle East and North Africa, untitled part 3b: (as if) beauty never ends.., Lowave, Paris, 2006Temporal Transmissions, untitled part 4: terra incognita, Alternator Gallery, Kelowna, 2005
Never Give Up: Music from the NYAW, Native Youth Art Workshops, Kamloops, 2009 Selected Online Publications linkedin.com/in/jaycesalloum
23 vimeo.com/salloum
canadianart.ca/art/features/2010/09/01/jayce-salloum grunt.ca/wordpress/wp-content/uploads/2013/05/Jayce-Salloum-essay-web-version.pdf mkg127.com/artists/salloum/salloum-texts/representing-the-unrepresentable.pdf http://savac.net/heart-kenderdine/
kag.bc.ca/docs/fuse-kag(pp).pdf
mikehoolboom.com/?p=66
111101.net/Artworks/JayceSalloum
fllip.ca/content/re-documentary-practices universes-in-universe.de/car/sharjah/2005/eng/expo-centre/img-18.htm twitter.com/jaycesalloum
rouge.com.au/5/salloum.html
acme-journal.org/vol6/CH.pdf Other Dinner at Eight, Patty Wallace, S-8 Film, 25 min co/so, 1985 (acting)
Public Works, public site works in Toronto, Edmonton and Berlin (1983-5), San Diego (1985-87)
Between the Frames; videotape by Antonio Muntadas, David Antin/The Critics (camera)
Window Installations (1978-79), Banff Center of the Arts, Alberta
Artful History-A Restoration Comedy, 16mm flm by Jason Simon and Mark Dion (2nd camera)
Bread & Puppet Theater, Columbus, texts for theatre & public performance dir. by Peter Schumann, 1991 24